Rupert: Gudrun Brangwen. Gerald Crich. Tibby and Laura Lupton. Ursula Brangwen. Rupert Birkin. What peculiar names we all have. Do you think we’ve been singled out. . .chosen for some extraordinary moment in life or are we all cursed with the mark of Cain?
Ursula: I’m afraid Ursula was a martyred saint. It’s been rather difficult to live up to.
Gerald: And who is Gudrun?
Gudrun: In Norse myth, Gudrun was a sinner who murdered her husband.
Gerald: Will you live up to that?
Gudrun: Which would you prefer me to live up to, the sinner or the murderer?
This was one of the first films I remember seeing as a child as well as one of the first I remember seeing multiple times. It was a favorite of both of my parents (and presumably still is). It’s also one of the most beloved films of all time. Currently it ranks #152 on the IMDb’s user rating generated Top 250. Butch Cassidy and the Sundance Kid is on several of the American Film Institute’s lists: 100 Years… 100 Movies – #50, 100 Years… 100 Movies (10th Anniversary Edition) – #73, 100 Years… 100 Thrills – #54100 Years… 100 Heroes and Villains: Butch Cassidy And The Sundance Kid – #20 Heroes and the 10 Top 10 – #7 Western Film. In 2003 the film was selected for preservation in the United States National Film Registry by the Library of Congress. It was nominated for seven Academy Awards, winning four: Best Sound, Best Cinematography (won), Best Score (won), Best Song (won), Best Original Screenplay (won), Best Director and Best Picture. Surprisingly neither Paul Newman nor Robert Redford were nominated for Best Actor. The winner in 1969, Midnight Cowboy, was also nominated for seven Academy Awards, and actually won less awards than Butch Cassidy; it won Adapted Screenplay, Director and Picture (both its leads were nominated, but lost Best Actor to John Wayne in True Grit). The other films nominated that year were Anne of the Thousand Days, Hello, Dolly! and Z (which won film editing – often an award that aligns with Best Picture, and Best Foreign Language Film).
George Hanson: They’re not scared of you. They’re scared of what you represent to ‘em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
Billy: What the hell is wrong with freedom? That’s what it’s all about.
George Hanson: Oh, yeah, that’s right. That’s what’s it’s all about, all right. But talkin’ about it and bein’ it, that’s two different things. I mean, it’s real hard to be free when you are bought and sold in the marketplace. Of course, don’t ever tell anybody that they’re not free, ’cause then they’re gonna get real busy killin’ and maimin’ to prove to you that they are. Oh, yeah, they’re gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it’s gonna scare ‘em.