Phil Parma: I know this sounds silly and I know that I might sound ridiculous. Like this is the scene in the movie where the guy’s trying to get ahold of the long lost son, you know, but this is that scene. This is that scene. And I think that they have those scenes in movies because they’re true, you know, because they really happen. And you gotta believe me. This is really happening. I mean, I can give you my number and you can go check with whoever you have to go check with and call me back, but do not leave me hanging on this. Alright? Please? See, this is the scene in the movie where you help me out.
I remember seeing this film in theaters when it first came out and being completely swept away by its stark, simple beauty. It’s a film that is unrelenting from the beginning and doesn’t let up until the credits role. While Philip Seymour Hoffman is really the center of the film in a powerhouse performance as Truman Capote, it’s a wonderful ensemble filled with some of the greatest working character actors of modern cinema. It was nominated for five Oscars, winning one: Best Adapted Screenplay, Best Supporting Actress Catherine Keener, Best Actor Philip Seymour Hoffman (won), Best Director and Best Picture. It was up against Brokeback Mountain, Good Night, and Good Luck., Munich and winner Crash.