The Aviator is one of my favorites of director Martin Scorsese’s films (picking just one is just too hard, but if I were forced to choose I’d go with After Hours). It’s both a stirring biopic and a colorful look at Old Hollywood, an era Scorsese clearly respects and adores. The film was nominated for eleven Academy Awards, winning five: Best Sound Mixing, Best Costume Design (won), Best Art Direction (won), Best Cinematography (won), Best Editing (won), Best Original Screenplay, Best Supporting Actor Alan Alda, Best Supporting Actress Cate Blanchett (won), Best Actor Leonardo DiCaprio, Best Director and Best Picture. With its eleven nominations and five wins, The Aviator had both more nominations and more wins than the Best Picture winner (Million Dollar Baby, which had seven nominations and four wins). The other films nominated for Best Picture that year were Finding Neverland, Ray, Sideways and winner Million Dollar Baby. I’m not going to say whether I think one film should have won over the other because I think both The Aviator and Million Dollar Baby have their merits and their detractors. I’m just glad Sideways didn’t win.