Monthly Archives: January 2019
It’s a new year which means catching up on new releases held over from last year, new new-to-me films, and a whole new year of cinema! As it stands, I watched six holdovers from last year, three new 2019 films, and a handful of films that were new-to-me. I also binge-watched a new favorite television show. As always, you can see everything I watched after the cut, as well as some favorites.
Joyce Chopra’s Smooth Talk first came on my radar when I was doing A Year With Women, but I couldn’t find it for rent anywhere online so I didn’t watch it that year. Last year I found it at Videodrome here in Atlanta and I finally got to give it a go. I’m not sure what I expected, but this film was not like anything I’d seen before. It’s a masterful adult fairytale about the confusion of teengirldom and the darkness that can lurk in men. On the surface the film’s plot could sound like it is anti-sex, but that’s distinctly not the case. The film is based on Joyce Carol Oates’s 1966 short story “Where Are You Going, Where Have You Been?”, which itself was inspired by a real life serial killer Charles Schmid, known as The Pied Piper of Tucson because he targeted teenage girls. There will be some spoilers after the cut.
I decided for the month of January I’m going to stay in the 1980s for Female Filmmaker Friday, and since this film will be airing on TCM next Monday (1/21/19), I thought now would be the perfect time to look at Kathleen Collins’s groundbreaking independent feature Losing Ground. You can buy this film on DVD or Blu-ray (and I recommend purchasing directly from Milestone Film’s site so you can support their amazing work), which includes a bunch of special features, including her first film The Cruz Brothers and Miss Malloy (which I still need to see!). I first saw Losing Ground in 2015 during A Year With Women when it was aired as part of TCM’s inaugural Trailblazing Women spotlight. It has since become one of my favorite films.
For this week’s Female Filmmaker Friday I’ve chosen a film I first saw on TCM during A Year With Women, and that I have subsequently re-watched many, many times: Joan Micklin Silver’s Crossing Delancey. The film is based on a play by Susan Sandler, who also wrote the screenplay. Much like Susan Seidelman’s Desperately Seeking Susan, this film captures an era and place in New York City that no longer exists. Featuring a score by the Roches, much of the film takes place in the Lower East Side. This article does a great job of breaking down the changes that have happened in the last thirty years to that neighborhood. There be spoilers after the cut.
In 2014, I launched a series called Female Filmmaker Friday, where I wrote about a film directed by a woman almost every Friday for almost the entire year. This in part inspired my A Year With Women project where I only watched films directed or co-directed by women for the entirety of 2015. In 2016, Female Filmmaker Friday made a brief comeback as a podcast, though that was also short-lived. Finally, I am excited to announce that I will be bringing Female Filmmaker Friday back as a regular feature on this blog. For its auspicious return I have chosen one of my all-time favorites, one that has become far more readily available in the last few years: Donna Deitch’s Desert Hearts.
To help people with their 52 Films By Women challenge this year I thought I’d put together a list of some of my favorite films directed by women that are easily accessible on Netflix and Amazon Prime. Keep in mind that this is in no way all of the films directed by women available on these services, but rather a selection of films I have seen and enjoy. There are also many more films available to rent on Amazon Video as well. Think of this as a jumping off point! Also if you have not taken the 52 Films By Women pledge yet you can do so here.
2018 was quite a year for me. I travelled a lot for work. I watched a lot of films in festivals. I had some of my lowest film watching months and some of my highest. I got into a bunch of television shows. I met one of my favorite directors of all time (Gillian Armstrong!). I broke down a lot of my 2018 cinematic shenanigans on my 9th blog anniversary post here, you can see my monthly breakdowns here, my Favorite Fifteen Films of 2018 here, and I even broke down my favorite new discoveries here over on Rupert Pupkin Speaks. What does that leave??? After the cut I have all of the films I saw in 2018, plus a breakdown of the films directed by women that I saw for the first time this year.