George Loomis: Let me tell you something. You’re young, you’re in love. Well, I’ll give you a warning. Don’t let it get out of hand, like those falls out there. Up above. . .d’you ever see the river up above the falls? It’s calm, and easy, and you throw in a log, it just floats around. Let it move a little further down and it gets going faster, hits some rocks, and… in a minute it’s in the lower rapids, and. . .nothing in the world – including God himself, I suppose – can keep it from going over the edge. It just – goes.
Polly Cutler: Don’t worry. I’m one of those logs that just hang around in the calm.
I simply adore this movie. It is Old Hollywood charm at its best. But it also slyly dances around certain taboo subjects (promiscuity, etc.) in quite a remarkable way, though not quite as blatantly as Otto Preminger’s 1953 film The Moon Is Blue (also starring Maggie McNamara). Three Coins In The Fountain contains some truly breathtaking color cinematography by Milton R. Krasner of Italy – and in Cinemascope, too! I would just love to see this film on the big screen. It was nominated for three Academy Awards, winning two: Best Color Cinematography (won), Best Original Song (won) and Best Picture. The other films nominated for Best Picture that year were The Cain Mutiny, The Country Girl, Seven Brides For Seven Brothers and winner On The Waterfront.