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Movie Quote of the Day – Cat Ballou, 1965 (dir. Elliot Silverstein)


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Kid Sheleen: Yeah, it’s all over in Dodge. Tombstone, too; Cheyenne, Deadwood, all gone, all dead and gone. Why, the last time I come through Tombstone, the big excitement there was about the new rollerskate rink that they had laid out over the OK Corral. I’ll tell you something else, I used to work for the Buffalo Bill Wild West Show and a Congress of Rough Riders. And I rescued many a stagecoach passengers from road agents and drunkard injuns. . .in the nick of time! Twice a day, three times on Saturday!

Movie Quote of the Day – Point Blank, 1967 (dir. John Boorman)


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Brewster: Walker. You’re a very bad man, very destructive man! Why do you run around doing things like this? What do you want?
Walker: I want my money. I want my $93 grand.
Brewster: $93,000? You threaten a financial structure like this for $93,000?  I don’t believe you. What do you really want?
Walker: I – I really want my money. I want my money.
Brewster: I’m not going to give you any money and nobody else is. Don’t you understand that?
Walker: Who runs things?
Brewster: Carter and I run things. I run things.
Walker: What about Fairfax? Will he pay me?
Brewster: Fairfax is a man who signs checks.
Walker: No, cash.
Brewster: Fairfax isn’t going to give you anything. He’s finished. Fairfax is dead. He just doesn’t know it yet.
Walker: Somebody’s got to pay.

Movie Quote of the Day – The Big Heat, 1953 (dir. Fritz Lang)


Vince Stone: Hey, that’s nice perfume.
Debby Marsh: Something new. It attracts mosquitoes and repels men.

Oscar Vault Monday – Ship Of Fools, 1965 (dir. Stanley Kramer)


This was a film I’d meant to watch for a while because it was Vivien Leigh’s last screen appearance. Then it disappeared off of Instant Netflix and I kind of forgot I wanted to watch it. Luckily for me, TCM showed the film last week as part of its 31 Days of Oscar and boy am I glad that they did. I absolutely loved it. I think it might be one of the finest examples of interlocking storylines I’ve ever seen. Plus, the set decoration and cinematography were to die for. Some of the crispest B&W cinematography I’ve seen in a while. The film was nominated for eight Academy Awards, winning two: Best B&W Art Direction (won), Best Cinematography (won), Best B&W Costume Design, Best Adapted Screenplay, Best Actress Simone Signoret, Best Supporting Actor Michael Dunn, Best Actor Oskar Werner and Best Picture. The other films up for Best Picture that year were Darling, Doctor Zhivago, A Thousand Clowns and winner The Sound of Music.

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