Herald: I bring a message from your master Marcus Licinius Crassus commander of ltaly. By command of His Most Merciful Excellency your lives are to be spared. Slaves you were and slaves you remain. But the terrible penalty of crucifiixion has been set aside on the single condition that you identify the body or the living person ofthe slave called Spartacus.
Antoninus: I’m Spartacus!
Slaves: (one at a time, then overlapping) I’m Spartacus! I’m Spartacus! I’m Spartacus! I’m Spartacus! I’m Spartacus! I’m Spartacus! I’m Spartacus!
I first saw this film as a midnight movie my sophomore year at Berkeley. It scared the crap out of me. Walking home in the dark afterwards I was scared to death, even though I’d gone to a lot of midnight movies that semester and walked home each and every time. I think I was scared because the haunting atmosphere of A Clockwork Orange was still with me. When a movie can affect my immediate perception of the world around me, I know I’ve seen something quite brilliant. The film was nominated for four Academy Awards – Best Film Editing, Best Director, Best Adapted Screenplay and Best Picture. Three of the four of those nominations were for Kubrick as he wrote, directed and was sole producer of the film. It did not win a single award. It was up against Fiddle On The Roof, Nicholas and Alexander, The Last Picture Show and winner The French Connection. Confession: other than that one great car chase, The French Connection bored me to death.