The first time I saw this film was during TCM’s 31 Days of Oscar in 2011 and a few days ago I gave it a much deserved re-watch. I think I liked it even more on this second viewing. There is a new Blu-ray edition coming from Warner Brothers, which I will be reviewing later this week. Cabaret holds the record for most Oscar wins (eight!) without winning Best Picture. I would be hard-pressed to choose between this film and The Godfather, too. Pretty much every year in the 70s had too many great, important, monumental and insanely entertaining pieces of cinema. In the end, I think the films’s awards are not as important as the impact of the films themselves. That said, Cabaret‘s ten Academy Award nominations were: Best Song Score or Adaptation Score (this category doesn’t exist anymore, won), Best Cinematography (won), Best Editing (won), Best Sound (won), Best Art Direction (won), Best Adapted Screenplay, Best Supporting Actor Joel Grey (won), Best Actress Liza Minnelli (won), Best Director (won) and Best Picture. The other films nominated for Best Picture that year were Deliverance, The Emigrants, Sounder and winner The Godfather.
Joe Gideon: No, nothing I ever do is good enough. Not beautiful enough, it’s not funny enough, it’s not deep enough, it’s not anything enough. Now, when I see a rose, that’s perfect. I mean, that’s perfect. I want to look up to God and say, “How the hell did you do that? And why the hell can’t I do that?”
Angelique: Now that’s probably one of your better con lines.
Joe Gideon: Yeah, it is. But that doesn’t mean I don’t mean it.
Roxie Hart: What do you want?
Amos Hart: I want you to come home. You said you still wanted to. And the baby.
Roxie Hart: Baby? What baby? [beat] Oh , Jesus. What do you take me for? There ain’t no baby.
Amos Hart: There ain’t no baby?
Roxie Hart: They didn’t even want my picture. I can’t understand that. Why didn’t they even want my picture?