Joe Gideon: No, nothing I ever do is good enough. Not beautiful enough, it’s not funny enough, it’s not deep enough, it’s not anything enough. Now, when I see a rose, that’s perfect. I mean, that’s perfect. I want to look up to God and say, “How the hell did you do that? And why the hell can’t I do that?”
Angelique: Now that’s probably one of your better con lines.
Joe Gideon: Yeah, it is. But that doesn’t mean I don’t mean it.
I don’t have a memory of the first time I saw this film; I think that’s because I was very little when I first saw it and I don’t remember a world wherein Jaws didn’t exist. I thought it would be fitting to write about this film as summer ends since it was the first summer blockbuster and to this day one of the most critically acclaimed. I love this film. I have seen it so many times now, including at least once in theaters, that I practically have it memorized. It’s only rated PG, but somehow it is insanely terrifying – even upon repeat viewings. I think Spielberg managed to create a film that is the perfect combination of chilling, exiting, heartfelt and innovative. What also makes this film work so well is the great performances from everyone in the cast. It’s almost as if they made a B movie at an A-list calibre (much like Hitchcock’s Psycho). It was nominated for four Academy Awards and won three – Best Film Editing (won), Best Score – John Williams (won), Best Sound (won) and Best Picture. It was up against Barry Lyndon, Dog Day Afternoon, Nashville and winner One Flew Over The Cuckoo’s Nest.