Susan: You’re very inflexible.
Eric: Who, me?
Susan: I don’t like you when you’re inflexible.
Eric: I don’t like it when you exaggerate to make sure I’ll listen to you.
Susan: Well, I can’t stand it when you don’t listen to me.
Eric: I don’t like it when you’re loud.
Susan: Well, I don’t like you when you’re not loud. I don’t know why I like you.
Eric: Because you can tell me why you don’t like me.
Susan: I like me when I don’t need you.
Eric: I don’t want you to need me. I want you to want me.
Susan: There’s no truth like bullshit.
Eric: Very good, Susan. 2 points.
Susan: Thank you.
I first saw this film last fall and I fell head over heels for it. It was directed, produced and co-written by Claudia Weill, who collaborated with friend Vicki Polon on the screenplay. Weill directed the film on weekends over a the course of a year. Somehow it got picked up by Warner Bros. and was given a limited run. Stanley Kurbick saw the film and said in a 1980 interview that it was one of the most interesting American films he had seen in recent years. Anyone who enjoyed last year’s Frances Ha, will love this film. They’re surprisingly similar and I wouldn’t be shocked if Baumbach and Gerwig drew some inspiration for their film from it. Read the rest of this entry
Nigel Tufnel: It’s very, very special. As you can see the numbers all go to eleven. Look, right across the board, eleven, eleven, eleven and…
Marty DiBergi: Oh, I see. And most amps go up to ten?
Nigel Tufnel: Exactly.
Marty DiBergi: Does that mean it’s louder? Is it any louder?
Nigel Tufnel: Well, it’s one louder, isn’t it? It’s not ten. You see, most blokes, you know, will be playing at ten. You’re on ten here, all the way up, all the way up, all the way up, you’re on ten on your guitar. Where can you go from there? Where?
Marty DiBergi: I don’t know.
Nigel Tufnel: Nowhere. Exactly. What we do is, if we need that extra push over the cliff, you know what we do?
Marty DiBergi: Put it up to eleven.
Nigel Tufnel: Eleven. Exactly. One louder.
Marty DiBergi: Why don’t you just make ten louder and make ten be the top number and make that a little louder?
Nigel Tufnel: [beat] These go to eleven.