Susan: You’re very inflexible.
Eric: Who, me?
Susan: I don’t like you when you’re inflexible.
Eric: I don’t like it when you exaggerate to make sure I’ll listen to you.
Susan: Well, I can’t stand it when you don’t listen to me.
Eric: I don’t like it when you’re loud.
Susan: Well, I don’t like you when you’re not loud. I don’t know why I like you.
Eric: Because you can tell me why you don’t like me.
Susan: I like me when I don’t need you.
Eric: I don’t want you to need me. I want you to want me.
Susan: There’s no truth like bullshit.
Eric: Very good, Susan. 2 points.
Susan: Thank you.
I first saw this film last fall and I fell head over heels for it. It was directed, produced and co-written by Claudia Weill, who collaborated with friend Vicki Polon on the screenplay. Weill directed the film on weekends over a the course of a year. Somehow it got picked up by Warner Bros. and was given a limited run. Stanley Kurbick saw the film and said in a 1980 interview that it was one of the most interesting American films he had seen in recent years. Anyone who enjoyed last year’s Frances Ha, will love this film. They’re surprisingly similar and I wouldn’t be shocked if Baumbach and Gerwig drew some inspiration for their film from it. Read the rest of this entry