Blossom: Why can’t we all be together once in awhile? Why can’t we be some sort of a family, like other people? Why can’t we? Why can’t we? Why can’t we?
Barrie: I didn’t know you felt this way about it. I suspect it’s all my fault.
Blossom: You’re alright, Dad. Why can’t you be like this all the time?
Barrie: It seems simple enough, doesn’t it? Somehow what we mean to be and what we are, are quite different.
Tom Chambers: That’s one way of meeting the situation. Shipping clerk comes home, finds missus with boarder. He breaks dishes. It’s pure burlesque. Then there’s another way. Intelligent artist returns unexpectedly, finds treacherous friends, both discuss the pros and cons of the situation in grownup dialogue. High-class comedy, enjoyed by everybody.
George Curtis: There’s a third way. I’ll kick your teeth out and tear your head off and beat some decency into you!
Tom Chambers: Cheap melodrama. Very dull.
The original version of the twice re-made A Star is Born (though, the plot quite resembles 1932’s What Price Hollywood?), is quite wonderful. Perhaps not as memorable as the George Cukor/Judy Garland 1954 musical adaptation, the 1937 version is miles and miles better than the mediocre 1976 Barbra Streisand version. It’s also in the public domain, so it’s available to watch for free in various quality all over the internet. The film was nominated for seven Academy Awards, winning one: Best Writing Original Story (won), Best Writing Screenplay, Best Actor, Best Actress, Best Assistant Director, Best Director, Best Picture. W. Howard Greene was rewarded an honorary plaque for the color photography of the film, an award that was “recommended by a committee of leading cinematographers after viewing all the color pictures made during the year”. The other films up for Best Picture that year were: The Awful Truth, Captains Courageous, Dead End, The Good Earth, In Old Chicago, Lost Horizon, One Hundred Men and a Girl, Stage Door and winner The Life of Emile Zola.