First and foremost, I did a lot of writing and podcast guesting in March. For Moviefone I wrote about women directors who should get Oscar nominations this year (spoiler alert: two of them did!!) and 7 Riot Grrrl films to check out. For my Moviefone column Female Filmmakers in Focus I wrote about Amy Poehler’s Moxie & Tanya Hamilton’s Night Catches Us, Natasha Kermani’s Lucky and interviewed its cinematographer Julia Swain, I interviewed Phobias directors Camilla Belle, Maritte Lee Go, and Jess Varley, and I interviewed Slaxx director Elza Kephart. I made my debut at Ebert Voices taking a look at how the landscape for films directed by women has changed since I embarked on my #AYearWithWomen project in 2015. For my debut at Nerdist I wrote about how Philip K. Dick influenced The Weeknd. For my debut at debut at Vulture I wrote about three of my favorite working actors: Tzi Ma, Shea Whigham, and Luis Guzmán. For my debut at Crooked Marquee I wrote about why I love (and miss) Meg Ryan (you’ll notice I watched A LOT of Meg Ryan movies this month). Podcast-wise I joined Ryan at The Matinee to talk Oscars (we’ve been doing this for a decade now!!), I joined Jen Johans on her podcast Watch With Jen to talk about the rebel girls of Daisies, Foxfire, and Skate Kitchen, and lastly I dropped the trailer for my new music podcast Prog Save America, which will be launching later this month. Can you believe even with all of that I still watched A LOT OF MOVIES. So as always, after the cut you’ll find everything I watched in March, a breakdown by decade, and I highlight some of my faves.
Believe it or not, the Irwin Allen produced The Towering Inferno was not only nominated for eight Academy Awards, it won three of them. This star-studded ensemble disaster flick was not the first of its kind, but it is definitely one of the best. I remember when I first watched it, I was dubious of its merit and wondered about its Oscar pedigree, but in the end, I was sucked in by it and entertained from start to finish. If you look at a lot of the other Oscar nominated films from 1974 – and the 70s in general – The Towering Inferno is like a breath of fresh air made of pure entertainment. I hate the notion that Oscar nominated films need to be serious or arty or what have you. This is cinema in all its glory. The Towering Inferno’s Oscar nominations were as follows: Best Sound, Best Art Direction, Best Cinematography (won), Best Film Editing (won), Best Original Song (won), Best Original Dramatic Score, Best Supporting Actor Fred Astaire and Best Picture. The other films nominated for Best Picture that year were Chinatown, The Conversation, Lenny and winner The Godfather Part II.
Doug Roberts: I thought we were building something where people could work and live and be SAFE! If you had to cut costs, why didn’t you cut floors instead of corners?
James Duncan: Now listen. Any decisions that were made for the use of alternate building materials were made because I as a builder have a right to make those decisions. If I remained within the building code and god-dammit I did!
Doug Roberts: [Chuckling] Building code? Jesus. Building code. Come on, Dunc, I mean now that’s a standard cop-out for when you’re in trouble. See, I was crawling around up there. I mean duct holes weren’t fire-stopped! Corridors without fire doors in them, sprinklers that won’t work, and an electrical system that’s good for what? I mean it’s good for starting fires! Phew, where was I when all this was going on? Because I’m just as guilty as you and that god-damned son-in-law of yours! What do they call it when you kill people?