Yearly Archives: 2013
Oscar Vault Monday – The Last Picture Show, 1971 (dir. Peter Bogdanovich)
I first saw The Last Picture Show in 2011 right before I moved back to San Francisco for film school. I decided I had to finish all of the A.F.I. 100 Years. . .100 Films lists (the original combined with the 10th anniversary). I didn’t have many left and this was one of them. I watched it on a weekday morning with my mother and the two of us were so sucked into we hardly noticed two hours had gone by. What a film. I recently was lucky enough to watch it on the big screen at the Castro Theatre and I must say, as I often do, pretty much everything is better when you see it ont he big screen. I’m so glad I got to see Robert Surtees’s divine cinematography on the big screen. The film was nominated for eight Academy Awards, winning two: Best Cinematography, Best Supporting Actress Ellen Burstyn, Best Supporting Actress Cloris Leachman (won), Best Supporting Actor Jeff Bridges, Best Supporting Actor Ben Johnson (won), Best Adapted Screenplay, Best Director and Best Picture. The other films nominated that year were: A Clockwork Orange, Fiddler on the Roof, Nicholas and Alexandra and winner The French Connection.
Movie Quote of the Day – Rebecca, 1940 (dir. Alfred Hitchcock)
Maxim de Winter: The woman that was washed up at Edgecombe, the woman that is now buried in the family crypt, that was not Rebecca. That was the body of some unknown woman, unclaimed, belonging nowhere. I identified it, but I knew it wasn’t Rebecca. It was all a lie. I knew where Rebecca’s body was. Lying on that cabin floor on the bottom of the sea.
Mrs. de Winter: How did you know, Maxim ?
Maxim de Winter: Because I put it there. Will you look into my eyes and tell me that you love me now ? You see ? I was right. It’s too late.
Movie Quote of the Day – The African Queen, 1951 (dir. John Huston)
Charlie Allnut: How’d you like it?
Rose Sayer: Like it?
Charlie Allnut: White water rapids!
Rose Sayer: I never dreamed. . .
Charlie Allnut: I don’t blame you for being scared – not one bit. Nobody with good sense ain’t scared of white water. . .
Rose Sayer: I never dreamed that any mere physical experience could be so stimulating!
Movie Quote of the Day – Women in Love, 1969 (dir. Ken Russell)
Rupert: Gudrun Brangwen. Gerald Crich. Tibby and Laura Lupton. Ursula Brangwen. Rupert Birkin. What peculiar names we all have. Do you think we’ve been singled out. . .chosen for some extraordinary moment in life or are we all cursed with the mark of Cain?
Ursula: I’m afraid Ursula was a martyred saint. It’s been rather difficult to live up to.
Gerald: And who is Gudrun?
Gudrun: In Norse myth, Gudrun was a sinner who murdered her husband.
Gerald: Will you live up to that?
Gudrun: Which would you prefer me to live up to, the sinner or the murderer?
Movie Quote of the Day – A Farewell to Arms, 1932 (dir. Frank Borzage)
Catherine Barkley: Oh, darling. . .I’m going to die. Don’t let me die.
Lieutenant Frederic Henry: Cat!
Catherine Barkley: Take me in your arms, hold me tight. Don’t let me go.
Lieutenant Frederic Henry: Catherine.
Catherine Barkley: It’s dark out there alone. I don’t want to leave you anymore. I’ve been alone so much.
Lieutenant Frederic Henry: You can’t die. You’re too brave to die. You’re a fine girl. A brave girl.
Catherine Barkley: Yes. . .I. . . am a brave girl.
Lieutenant Frederic Henry: Whatever happens, you’ll not be afraid.
Catherine Barkley: I’ll not be afraid.
Lieutenant Frederic Henry: We’ve never been apart. Really. Not since we met.
Catherine Barkley: Not since we met.
Lieutenant Frederic Henry: We never can be.
Catherine Barkley: Never parted.
Lieutenant Frederic Henry: In life and in death. Say it, Cat!
Catherine Barkley: In life and in death, we’ll never be parted.
Lieutenant Frederic Henry: You do believe that? Don’t you, Cat?
Catherine Barkley: I believe it . . .and I’m not afraid.
Oscar Vault Monday – Midnight in Paris, 2011 (dir. Woody Allen)
I’ve written a lot about Woody Allen over the last few years and I’m sure I’ll be writing about him for many more years to come. He doesn’t always hit the mark, but when he does, he hits it better than just about anyone. Case in point: 2011’s smash hit Midnight In Paris. It may well be in my top five favorite of Woody Allen’s many films. Part of this has to do with my love of Paris in twenties (and the fact that pretty much everything mentioned in the film was something I studied in college) and partly because of the experience I had when I first saw it. I had just moved back to San Francisco (like, literally THAT DAY) and I went to see it with my roommate and one of my good friends (who was visiting from Florida!) and it had been raining and the showtime we wanted to go to was sold out so we had to wait an hour in the lobby and it was the most perfect experience I could have asked for. There’s a lot of things to write about with this film, but I’ve decided just to focus on a few facets of it that I really love. The film was nominated for four Academy Awards, winning one: Best Art Direction, Best Original Screenplay (won), Best Director and Best Picture. The other films nominated for Best Picture in 2011 were: The Descendants, Extremely Loud and Incredibly Close, The Help, Hugo, Moneyball, The Tree of Life, War Horse and winner The Artist.

























