Yearly Archives: 2013

Oscar Vault Monday – Good Night, and Good Luck., 2005 (dir. George Clooney)

I remember seeing this film in theatres when I was in college and being completely blown away by it. I watched it again with my mother a few years later, but I don’t think I’d seen it in close to five years before rewatching it last night. I forgot how simple and elegantly orchestrated it is. It’s an ensemble, but you never get lost in a sea of characters, nor do you truly get invested in most of them. I don’t mean that as an insult, though. The ensemble works as one to fight the system and topple Senator McCarthy with his own words (more on that later). The film was nominated for six Academy Awards, though it didn’t win any: Best Cinematography, Best Art Direction, Best Original Screenplay, Best Actor David Strathairn, Best Director and Best Picture. The other films up for Best Picture that year were Brokeback MountainCapoteMunich and winner Crash.

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Movie Quote of the Day – Nightwatch, 1997 (dir. Ole Bornedal)

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Katherine: You had strange dreams last night.
Martin Bells: I did?
Katherine: Mmm. You were breathing really heavily. Kept kicking your legs and moaning.
Martin Bells: You sure we weren’t having sex?
Katherine: Pretty sure. Yeah.

Movie Quote of the Day – The Paralax View, 1974 (dir. Alan J. Pakula)

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Gale: My name’s Gale. What can I fix you?
Joseph Frady: I…
Gale: How about a Martini? You know what they say about Martinis? A Martini is like a woman’s breast. . .one ain’t enough and three is too many.
Joseph Frady: That’s an amazing joke, Gale.
Gale: Yeah, it is. What can I get you?
Joseph Frady: Just a glass of milk.
Gale: You’re the healthy type, huh?

Movie Quote of the Day – Wag The Dog, 1997 (dir. Barry Levinson)

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Stanley Motss: I’m in show business, yes? Why come to me?
Conrad ‘Connie’ Brean: I’ll tell you why. “54, 40, or fight.” What does that mean?
Stanley Motss: It’s a slogan.
Conrad ‘Connie’ Brean: “Remember the Maine.” “Tippecanoe and Tyler, too.” They’re war slogans. We remember the slogans, not the wars. You know why? That’s show business. That’s why we’re here. Naked girl, covered in napalm. “V” for victory. Five Marines raising the flag, Mount Surabachi. You remember the picture in 50 years, but forget the war. The Gulf War, smart bomb falling down a chimney. 2,500 missions a day, 100 days. One video of one bomb. The American people bought that war. War is show business. That’s why we’re here.

Movie Quote of the Day – Duel in the Sun, 1946 (dir. King Vidor)

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Lewt McCanles: I’m riding back to that hitching post and then turning and starting to shoot.
Jesse McCanles: It’s more than you did for Sam Pierce! Why all the consideration?
Lewt McCanles: Just don’t want them fancy friends of yours to say you had a brother who shot you down in cold blood.

Movie Quote of the Day – Tall Story, 1960 (dir. Joshua Logan)

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June Ryder: I remember reading about elephants once.
Ray Blent: Yeah?
June Ryder: Did you know that elephants only mate once every seven years?
Ray Blent: Sure. But there are some that. . .that manage once every six years.
June Ryder: Nymphomaniacs.

Movie Quote of the Day – The Fugitive Kind, 1959 (dir. Sidney Lumet)

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Valentine ‘Snakeskin’ Xavier: You know, Lady, there’s people bought and sold in this world like carcasses of hogs.  . .in butcher shops. You might think that there’s. . .there’s many. . .many kinds of people in this world. But there’s only two kinds: The buyers and the ones that get bought. [beat] No, there’s another kind.
Lady Torrance: What kind?
Valentine ‘Snakeskin’ Xavier: It’s a kind that don’t belong no place at all. There’s a kind of bird that don’t have any legs so it can’t alight on nothing. So it has to spend its whole life on its wings in the air. I seen one, once. It died and fell to earth. And its body was light blue colored. And it was just as tiny as your little finger. And it was so light in the palm of your hand that it didn’t weigh more than a feather. And its wings spread out that wide. And you could see right through them. That’s why the hawks don’t catch them. . .because they don’t see ’em. They don’t see ’em way up in that high blue sky near the sun.
Lady Torrance: What about in gray weather?
Valentine ‘Snakeskin’ Xavier: They fly so high, in gray weather, the hawks, they’d get dizzy. See, these little birds don’t have no legs at all so they have to live their whole lives on the wing. And they sleep on the wind. That’s what they do, they just. . . they just spread their wings out and go to sleep on the wind. And they only alight on this earth but one time. . .it’s when they die.

Movie Quote of the Day – Star Wars, 1977 (dir. George Lucas)

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Han Solo: I don’t know what we’re gonna do now. Even if I could take off, I could never get past the tractor beam.
Obi-Wan: Leave that to me.
Han Solo: Damn fool, I knew you were going to say that.
Obi-Wan: Who’s the more foolish? The fool, or the fool who follows him?

Oscar Vault Monday – Dodsworth, 1936 (dir. William Wyler)

I first saw this film as part of TCM’s 31 Days of Oscar in 2011 when I was living in the back of my parents’ house in the midst of a post-college life crisis. I cried a lot. After watching this film, I mean, but also in general. I rewatched it last night and I think I love it more than I had thought possible. It’s such an expertly executed film, from Wyler’s direction, to the script (adapted from Sinclair Lewis’s novel by Sidney Howard, who would go one to write the adapted script for Gone With The Wind), to the performances by the film’s entire cast. It’s just plain perfect. The film was nominated for seven Oscars, winning one: Best Art Direction (won), Best Sound, Best Screenplay, Best Supporting Actress Maria Ouspenskaya, Best Actor Walter Huston, Best Director and Best Picture. The other films nominated for Best Picture that year were: Anthony Adverse, Libeled Lady, Mr. Deeds Goes to Town, Romeo and Juliet, San Francisco, The Story of Louis Pasteur, A Tale of Two Cities, Three Smart Girls and The Great Ziegfeld.

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Pre-Codes, the 80s and Biblical Epics: March 2013 in Films

March started out pretty good as far as films in theatres go with the Roxie’s annual Pre-Code festival. I saw a few new-to-me films (see below) and I also got to see longtime favorites Shanghai Express, Waterloo Bridge (the original) and Safe In Hell. I only managed to see two films at the Castro this month, though; one of my favorites from last year: Cloud Atlas, and one I’ve been wanted to see on the big screen foreverrrr: The Ten Commandments. Yesterday I rewatched Ben-Hur for the millionth time (I saw it on the big screen a few years back). As you will see when you get to my list for the month, I watched A LOT of films from the 1980s this month. This is because Netflix has an amazing selection of films owned by MGM streaming right now and I just cannot get enough. I saw a handful of 2013 releases (finally), but nothing that I think will last til the end of the year. Anyways, you can see this list below, as well as a look at my favorites for the month.

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