New Poster For Edward Zwick’s “Love and Other Drugs”
I really cannot wait for this film. The international trailer is more true to the plot of the film from what I’ve read than the domestic trailer.
It’s set to open during Thanksgiving weekend and Anne Hathaway has already drummed up some major Oscar buzz for her performance (she was nominated in 2008 for Best Actress for Rachel Getting Married). I really love Jake Gyllenhaal and I hope this is a grown-up enough performance to get the Academy’s attention again (he was nominated for Best Supporting Actor for Brokeback Mountain in 2005). I also really love Oliver Platt. He seems to be showing up in little supporting roles all over the place lately. I’m so glad. If you haven’t seen it, you should see the 90s road-trip/rom-com Michael, it’s one of Platt’s best performances.
54th Annual BFI London Film Festival Announces Line-up
We already knew that Never Let Me Go would open on October 13th and 127 Hours would close the festival on October 28th, but now we’ve got the whole line-up!
Notable films include:
- Let Me In
- Blue Valentine
- Conviction
- The American
- Miral
- Meek’s Cutoff
- It’s Kind of a Funny Story
- Another Year
- The King’s Speech
- Black Swan
- Biutiful
- Howl
- The Kids Are All Right
You can read more about the festival and the films that will be featured here. If any of you lovely readers gets a chance to go to the festival, please do drop us a line!
Movie Quote of the Day – As Good As It Gets, 1997 (dir. James L. Brooks)
Carol Connelly: OK, we all have these terrible stories to get over, and you-…
Melvin Udall: It’s not true. Some have great stories, pretty stories that take place at lakes with boats and friends and noodle salad. Just no one in this car. But, a lot of people, that’s their story. Good times, noodle salad. What makes it so hard is not that you had it bad, but that you’re that pissed that so many others had it good.
Auteur of the Week – Anton Corbijn
I first discovered Anton Corbijn, or at least put a name to his work, in the summer of 2005 when The Killers released their video for All The Things I’ve Done. It was directed by Corbijn and was most definitely an homage to Russ Meyers’ cult classic Faster Pussy Cat Kill Kill. I decided I had to watch everything he’d ever done, which is an impressive amount of really fantastic music videos starting as early as late 80s. I also discovered that he was the photographer responsible for some of the most iconic rock photographs of the last 35 years. About two years later I discovered the band Joy Division, a band that has subsequently become my all time favorite band. Corbijn is responsible for some of the most haunting photographs taken of that short-lived post-punk band, so it was a natural choice, I think, to have Corbijn helm the 2007 biopic of Joy Division’s ill-fated lead singer Ian Curtis. I actually was working for The Daily Californian at the time and reviewed the film at that time, which you can read here. Corbijn has directed two extremely solid films in the last three years and I absolutely cannot wait for him to make another film.
Oscar Vault Monday – American Graffiti, 1973 (dir. George Lucas)
My first memories of American Graffiti mostly revolve around my love of the film’s soundtrack. I remember watching it as a little kid and not really being able to follow the plot, but absolutely falling in love with the soundtrack. It’s perhaps the best soundtrack of all time. That may be debatable, but I’ll stick with my opinion there. Apparently George Lucas wrote the screenplay after being challenge on the set of THX-1138 by Francis Ford Coppola to write something that mainstream audiences would enjoy. Lucas then set the film in 1962 around the cruising culture he remembered as a teenager in Modesto. The result was a ridiculously successful film full of early-60s, pre-Vietnam-era nostalgia. The film had a $775,000 budget and wound up grossing $118 mil. It was also nominated for five Academy Awards: Best Original Screenplay, Best Film Editing, Best Supporting Actress Candy Clark, Best Director and Best Picture. It was up against A Touch of Class, Cries and Whispers, The Exorcist and winner The Sting.
























