Tanya: Isn’t somebody gonna come and take him away?
Schwartz: Yeah, in just a few minutes. You really liked him didn’t you?
Tanya: The cop did. . .the one who killed him. . .he loved him.
Schwartz: Well, Hank was a great detective all right.
Tanya: And a lousy cop.
Schwartz: Is that all you have to say for him?
Tanya: He was some kind of a man. . . What does it matter what you say about people?
Margaret “Maggie” Pollitt: You know what I feel like? I feel all the time like a cat on a hot tin roof.
Brick Pollitt: Then jump off the roof, Maggie. Jump off it. Cats jump off roofs and land uninjured. Do it. Jump.
Margaret “Maggie” Pollitt: Jump where? Into what?
Brick Pollitt: Take a lover.
Margaret “Maggie” Pollitt: I don’t deserve that.
This is one of my favorite classic films. It’s a masterful adaptation of Tennessee Williams’ play of the same name. Like many a Williams play, it is hot and steamy and filled with tension. Richard Brooks is such an amazing director and he hits every note of the film perfectly. Somehow this masterpiece lost the Best Picture award to the overblown, boring musical adaptation Gigi. I watched Gigi recently I was aghast that it had won nine Oscars. I thought it was absolutely one of the most boring, overwrought films I’d ever seen. Then to add insult to injury I discovered it beat Cat On A Hot Tin Roof. This is definitely a case of pomp winning over substance. Cat On A Hot Tin Roof was nominated for six Academy Awards, but didn’t win a single one: Best Actor – Paul Newman, Best Actress Elizabeth Taylor, Best Color Cinematography, Best Adapted Screenplay, Best Director – Richard Brooks and Best Picture. Aside from the two acting categories, it lost all the awards to Gigi. The other nominees for Best Picture that year were Auntie Mame, Separate Table and The Defiant Ones.