Blog Archives
Movie Quote of the Day – About Last Night, 2014 (dir. Steve Pink)
Danny: I don’t want to spend tonight, of all night’s, doing what we’re going to be doing all next year. . . fighting.
[Debbie leaves.]
Bernie: That’s my cue.
Joan: No. No. Debbie! No!
Danny: Fuck. Fuck.
Joan: Fuckin’ wonderful, asshole!
Bernie: You fucked that up, I’ll be the first to tell you that.
Movie Quote of the Day – The One I Love, 2014 (dir. Charlie McDowell)
Sophie: This is something that we’ve been talking about in therapy. Exploring new options, creating a new relationship Not going back to the past and re-creating old things that happened but starting with new things.
Ethan: Yeah. Point taken.
Sophie: I know that this is sort of extreme.
Ethan: I didn’t imagine this sort of new thing.
Sophie: Absolutely, but. . .
Ethan: I imagined like horseback riding with a little satchel of wine, you know? Not exploring other dimensions in some weird version of Who’s Afraid of Virginia Woolf?
Female Filmmaker Friday: Elle s’en va, 2014 (dir. Emmanuelle Bercot)
I wanted to see this film when it was in theaters earlier this year (I’m calling it a 2014 releases because that’s its U.S. release date; sue me), but somehow I missed it and was really bummed. Then the other day I was looking for something to watch on Netflix and it was in the suggested list! Sometimes Netflix gets it so right! This is Emmanuelle Bercot’s third film (she started out as an actress). I haven’t seen her other films, though I want to because this film had a very distinctive tone and I’m curious to see if her other films feel the same. She wrote this script specifically for Catherine Deneuve and it’s wonderful to see the actress really tear into the material.
Female Filmmaker Friday: Obvious Child, 2014 (dir. Gillian Robespierre)
This is the movie all rom-com lovers needed. This is the movie we all deserve. This is a rom-com about women, for women, by women. This movie is everything. It’s also has some important things to say about very serious, timely political issues. It’s basically a perfect film and I can’t wait to see more from writer-director Gillian Robespierre.

























