Audrey ‘Lulu’ Hankel: Charlie, what do you do for fun besides steal candy bars?
Charlie Driggs: You were right.
Audrey ‘Lulu’ Hankel: I was?
Charlie Driggs: Yeah. I’m a rebel. I am! I just channelled my rebellion into the mainstream. That’s all. [beat] I’ll give you an example. In ’81, I went long-term munis. Everybody said “Driggs, you’re crazy, don’t do it.”
Audrey ‘Lulu’ Hankel: Munis?
Charlie Driggs: Municipal bonds. Tax-free. Hell, I was locking in close to 15%. I may look straight, but deep down, I got what it takes.
I really love this movie. I’m pretty sure I first saw it when I was about 6 or 7 years old and for the longest time I couldn’t wait to go and work in an office (not the case so much anymore, haha). I loved everything about it. The story is a pretty basic David vs. Goliath kind of deal, but set in an office, with a dash of Shakespearean mistaken identity thrown in as well. It’s also a romantic comedy, albeit one that is slightly more serious than most. There’s broken hearts and bad relationships, real friendships, ambition, a bit of women’s lib and office politics. It’s very much a movie of its time, but because it has some basic archetypes at its core, as dated as its costumes, etc are, the story and therefore the film is timeless. It was nominated for six Academy Awards, winning one: Best Song (won), Best Supporting Actress Joan Cusack, Best Supporting Actress Sigourney Weaver, Best Actress Melanie Griffith, Best Director Mike Nichols and Best Picture. It was up against The Accidental Tourist, Dangerous Liaisons, Mississippi Burning and winner Rain Man.