Oscar Vault Monday – Gosford Park, 2001 (dir. Robert Altman)
This is one of those movies I remember really love when I first saw and then didn’t watch again for years only to rediscover it all over again. It features a stellar ensemble cast consisting of pretty much every British person ever. The cast went on to win the Best Ensemble at the SAG awards. I remember when Sir Ian McKellan won the SAG for his role in the first Lord of the Rings movie, he quipped something about being the only British actor not in Gosford Park. The film was nominated for 7 Academy Awards – Best Picture, Best Director, Best Supporting Actress Dame Helen Mirren, Best Supporting Actress Dame Maggie Smith, Best Art Direction, Best Costume Design and won Best Original Screenplay – Julian Fellowes. The curious thing about Julian Fellowes is that, at least for me, I loved this film to death and was absolutely bored by two of his latest efforts – Vanity Fair and The Young Victoria. It makes me wonder if perhaps those screenplays would have been fine if he’d had the same calibre director as Altman, or if this screenplay was a one hit wonder?
Avatar – The Matrix 2.0?
What I’m saying is Avatar is a special effects-driven film, like The Matrix, that is critically acclaimed and loved by audiences. Both films pushed boundaries of film visual effects and created new technologies.
The Hurt Locker – Can A Good Old-Fashioned War Movie Win Best Picture?
I finally got to see The Hurt Locker today. I absolutely loved it. I am a big fan of War films and I’d put this one up there with my favorites, namely The Thin Red Line and The Longest Day.
Although I’ve yet to see Avatar, I do not want it to win Best Picture. I know I should reserve judgement until I’ve seen it. But I do not see how it can be as good as either The Hurt Locker or Up In The Air. To quote Quentin Tarantino “This CGI bullshit is the death knell of cinema. If I’d wanted all that computer game bullshit, I’d have stuck my dick in a Nintendo.”