There’s been a lot of chatter as of late on Twitter about 14 year-old Hailee Steinfeld’s chances at an Oscar nomination and whether her performance should be considered for Best Actress or Best Supporting Actress. The debate seems to be whether the role is a lead role or a supporting role. While I think it is a lead role, what is really in question is where she has the best chance of getting a nomination – and even perhaps winning. That’s how studios decide how to campaign a role. Though Steinfeld is the heart of True Grit, she has the best chance in the Best Supporting Actress category.
Sarah: Give me the child.
Jareth: Sarah, beware. I have been generous up ’til now. I can be cruel.
Sarah: Generous? What have you done that’s generous?
Jareth: Everything! Everything that you wanted I have done. You asked that the child be taken. I took him. You cowered before me,I was frightening. I have reordered time. I have turned the world upside down, and I have done it all for you! I am exhausted from living up to your expectations of me. Isn’t that generous?
This is one of those movies I remember really love when I first saw and then didn’t watch again for years only to rediscover it all over again. It features a stellar ensemble cast consisting of pretty much every British person ever. The cast went on to win the Best Ensemble at the SAG awards. I remember when Sir Ian McKellan won the SAG for his role in the first Lord of the Rings movie, he quipped something about being the only British actor not in Gosford Park. The film was nominated for 7 Academy Awards – Best Picture, Best Director, Best Supporting Actress Dame Helen Mirren, Best Supporting Actress Dame Maggie Smith, Best Art Direction, Best Costume Design and won Best Original Screenplay – Julian Fellowes. The curious thing about Julian Fellowes is that, at least for me, I loved this film to death and was absolutely bored by two of his latest efforts – Vanity Fair and The Young Victoria. It makes me wonder if perhaps those screenplays would have been fine if he’d had the same calibre director as Altman, or if this screenplay was a one hit wonder?