Monthly Archives: December 2010
Movie Quote of the Day – Easy Rider, 1969 (dir. Dennis Hopper)
George Hanson: They’re not scared of you. They’re scared of what you represent to ’em.
Billy: Hey, man. All we represent to them, man, is somebody who needs a haircut.
George Hanson: Oh, no. What you represent to them is freedom.
Billy: What the hell is wrong with freedom? That’s what it’s all about.
George Hanson: Oh, yeah, that’s right. That’s what’s it’s all about, all right. But talkin’ about it and bein’ it, that’s two different things. I mean, it’s real hard to be free when you are bought and sold in the marketplace. Of course, don’t ever tell anybody that they’re not free, ’cause then they’re gonna get real busy killin’ and maimin’ to prove to you that they are. Oh, yeah, they’re gonna talk to you, and talk to you, and talk to you about individual freedom. But they see a free individual, it’s gonna scare ’em.
Oscar Vault Monday – The Bishop’s Wife, 1947 (dir. Henry Koster)
A lot of quality classic films that revolve around Christmas unfairly get overlooked as simply a seasonal film, worth pulling out in December only. This is something I hate to see, because a lot of these classic films are such wonderful, timeless films that deserve much more attention than they often receive. Case in point: The Bishop’s Wife. At the time of its release it was nominated for multiple Oscars and widely revered, now it’s mostly only talked about at Christmastime. I suppose by writing about it in December, I’m doing exactly the same thing. Oh well. I love this film. For the longest time it was my favorite Cary Grant film (it’s still in my Top 5) and is endlessly watchable. Like I said earlier, it was nominated for five Academy Awards, winning one: Best Sound (won), Best Score, Best Film Editing and Best Picture. It was up against Crossfire, Great Expectations, Miracle on 34th Street (another Christmas-themed film) and winner Gentleman’s Agreement.


























