Yearly Archives: 2011
Oscar Vault Monday – To Kill A Mockingbird, 1962 (dir. Robert Mulligan)
1962 is a tough year to talk about because two of the greatest and most beloved films of all-time came out that year: Lawrence of Arabia and To Kill A Mockingbird; both were nominated for Best Picture. I feel the need to mention a few other amazing films from that year that weren’t up for the top prize: Birdman Alcatraz, Days of Wine and Roses, Whatever Happened to Baby Jane?, Long Day’s Journey Into Night, Sweet Bird of Youth, The Manchurian Candidate and Lolita. Also four films that I haven’t yet seen, but have been meaning to: Divorce Italian Style, Last Year At Marienbad, Through a Glass Darkly and The Miracle Worker. The other three films nominated for Best Picture that year were: The Longest Day, The Music Man and Mutiny on the Bounty. I love The Longest Day and have yet to see The Music Man, but I must say the 62 remake of Mutiny on the Bounty has not aged well at all and is waaaay longer than it has any right to be. I guess my point is that 1962 was one heck of year for film and you owe it to yourself to get to know some (if not all) of these great films. This is not a “the Academy got it wrong” post; this is a “how were they even able to choose?!” post. To Kill A Mockingbird was nominated for eight Academy Awards and won three: Best Score, Best B&W Cinematography, Best B&W Art Direction (won), Best Adapted Screenplay (won), Best Supporting Actress Mary Badham, Best Director, Best Actor Gregory Peck (won), Best Director and Best Picture.
Movie Quote of the Day – Crossfire, 1947 (dir. Edward Dmytryk)
Ginny: Okay, where were you when he needed you? Maybe you were someplace having beautiful thoughts. Well, I wasn’t. I was in a stinkin’ gin mill, where all he had to do to see me was walk in, sit down at the table and buy me a drink and that’s all I know about it. I didn’t ask him if he killed anybody.
Oscar Vault Monday – Five Easy Pieces, 1970 (dir. Bob Rafelson)
This is such a fantastic film. It would be an interesting companion piece to another Nicholson film from the era – Mike Nichol‘s 1971 film Carnal Knowledge. Both films are sort of America’s answer to Britain’s “Angry Young Man/Kitchen Sink” dramas from a decade earlier. There are probably earlier films that fit that bill as well. What’s interesting to me is that they take a look at a new sort of angst that rose out of the sixties and has never really left – an angst that found its roots in the emerging teenager of the 50s (more on that in a bit). This is definitely one of Nicholson’s best performances and a must for any fan. The film was nominated for four Academy Awards, though it didn’t win any: Best Original Screenplay, Best Supporting Actress Karen Black, Best Actor Jack Nicholson, Best Picture. The other films nominated for Best Picture that year were Airport, Love Story, MASH and winner Patton.
Movie Quote of the Day – The Damned Don’t Cry!, 1950 (dir. Vincent Sherman)
Martin Blackford: There’s such a thing as self-respect.
Ethel Whitehead: Don’t talk to me about self-respect. That’s something you tell yourself you got when you got nothing else. What kind of self-respect is there living on aspirin tablets and chicken salad sandwiches? [beat] Look Marty, the only thing that counts is that stuff you take to the bank, that filthy buck that everybody sneers at, but slugs to get. [beat] I know how you feel. You’re a nice guy. But the world isn’t for nice guys. You’ve got to kick and punch and belt your way up because nobody’s going to give you a lift. You’ve got to do it yourself, cuz nobody cares about us except ourselves.

























