Monthly Archives: March 2013

Oscar Vault Monday – The Graduate, 1967 (dir. Mike Nichols)

There is an awful lot that has been and can be written about this film. I touched briefly on 1967’s impact on American cinema a few years back, so I’m not really going to delve into that aspect of the film, though I will point out a few things that made it a game-changer. I remember when I first saw this film, I wasn’t all that impressed to be honest. But the more I watch it the more its genius reveals itself to me. I saw it on the big screen at the Castro last spring and I am so glad that I did. A few weeks ago some kind stranger anonymously bought it for me from my Amazon wishlist, so I decided it was time for another revisit. The result is going to be this rather epic look at what I now realize is one of the most exquisitely directed films of all time. It was nominated for seven Academy Awards, though it only won one: Best Cinematography, Best Adapted Screenplay, Best Supporting Actress Katharine Ross, Best Actress Anne Bancroft, Best Actor Dustin Hoffman, Best Director Mike Nichols (won) and Best Picture. The other films up for Best Picture that year were Bonnie and Clyde, Doctor Doolittle, Guess Who’s Coming to Dinner and winner In The Heat of the Night.

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Movie Quote of the Day – Safe In Hell, 1931 (dir. William A. Wellman)

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Gilda: Where are you going?
Carl: What’s it to you?
Gilda: Everything!

Movie Quote of the Day – Saratoga, 1937 (dir. Jack Conway)

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Carol Clayton: You idiot, I did the one thing that would send him away.
Duke Bradley: You did? What was that?
Carol Clayton: I kissed him.
Duke Bradley: And that sent him away? Oh Carol, you underestimate yourself.
Carol Clayton: You don’t understand, Hartley happens to be a gentleman.
Duke Bradley: Oh, well then I’m glad I’m a mug. Kiss me like that and see if I go home.

Movie Quote of the Day – Paris Blues, 1961 (dir. Martin Ritt)

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Ram Bowen: Is your friend as pretty as you are?
Connie Lampson: Yes. She’s a white girl.
Ram Bowen: Might be hard to find. All these white girls look alike.

February 2013 in Films: Altman, Shorts, Silents and Documentaries, Oh My!

So February started out on a sour note, with my hard drive on my computer dying on me. Lucky for me, I had just backed everything up on my external for my trip to NYC, so I only lost a few things. The month got better though. I’ve got two months left in this semester and then a summer and then one more semester this fall and I will have an M.F.A. in Screenwriting, so that is boss. I’ve got a couple of feature scripts I am working on that I am really happy with and a few more ideas I hope to tackle soon. Finger crossed guys! As for film watching, I don’t think I saw any “new releases” in theatres, but I did see a few things at the Castro Theatre. I saw several films I’d seen before, but never on the big screen: Nashville, Random Harvest, and several that I had never seen before: Ikiru (more on that later), Modern Romance and attended the S.F. Silent Film Festival’s Winter Event: Snow White (1924), Buster Keaton shorts (always a treat!), The Thief of Bagdad (I first saw this at TCMFF last spring), My Best Girl (more on this after the cut) and F. W. Murnau’s Faust. As the title of this month’s post suggests, I saw several Robert Altman films again this month (I keep trying to watch all of his films, but he made too many!), I will be writing about one of them after the cut. I also saw several great documentaries this month and will be cheating a little bit because of how great they were. I also watched most of the Oscar nominated shorts, and must say they definitely choose the right films for animated and live-action shorts. Anyways, as always, a full list of what I watched is after the cut.

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Movie Quote of the Day – Please Don’t Eat the Daisies, 1960 (dir. Charles Walters)

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Kate Robinson Mackay: How do you like it, huh?
David Mackay: Looks like it’s out of Ivanhoe.
Larry Mackay: It’s much older than that.
Gabriel Mackay: How come it’s so big?
Kate Robinson Mackay: Because we couldn’t afford anything smaller.