Blog Archives
Oscar Vault Monday – Shanghai Express, 1932 (dir. Josef von Sternberg)
Shanghai Express is an interesting film for a handful of reasons. For one, it was the fourth of seven collaborations between its star Marlene Dietrich and its director Josef von Sternberg. Also, it was made in the Pre-Code era, so it’s deliciously racy. But then there is some inherent racism that is very hard to ignore. It’s very “orientalist,” in that it’s almost voyeuristic in its look at China, having the villain by a “mysterious Eurasian,” (played by a Swedish American actor), and having Anna May Wong play a character who becomes a murderess. Regardless of its faults, Shanghai Express is a must-see classic film, anchored by a sultry performance from Dietrich. The film was nominated for three Academy Awards, winning one: Best Cinematography (won), Best Director and Best Picture. The other films nominated for Best Picture that year were: Arrowsmith, Bad Girl, The Champ, Five Star Final, One Hour with You, The Smiling Lieutenant and winner Grand Hotel.
Oscar Vault Monday – I Am a Fugitive from a Chain Gang, 1932 (dir. Mervyn LeRoy)
I saw this film for the first time last November, when I was in the midst of Noirvember. While I would argue that this is more of a precursor to film noir, rather than actual film noir, it is nonetheless a really wonderful film. Of the handful of Paul Muni’s films that I’ve seen, it is most definitely my favorite of his performances. Muni is one of those actors who completely disappears into the roles he plays and, sadly, is not all that well-known these days. This film was nominated for three Academy Awards, though it didn’t win any: Best Sound, Best Actor and Best Picture. The other films nominated that year were 42nd Street, A Farewell to Arms, Lady for a Day, Little Women, The Private Life of Henry VIII., She Done Him Wrong, Smilin’ Through, State Fair and winner Cavalcade.





















