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Cinema Fanatic’s Favorite Fifteen Films of 2017
In 2017 I watched 72 new releases, mostly in movie theaters (I am a junkie) and while there were a few films I really hated, mostly I saw a lot of films I really enjoyed. I discovered a love for documentary cinema (I saw fourteen documentaries this year!). I watched 32 new release films directed by women (with my total new-to-me directed by women clocking in at 79 this year; more on that when I do my year-end review tomorrow). For the second year in a row my favorite film of the year was not directed by a woman, but as per tradition it was also a queer romance. I am pretty easy to please. As a final reminder, I am not a fan of the term best. Film is an art that allows the viewer to bring themselves in conversation with it, and therefore what each person sees in a film will be different from what anyone else sees. This is a list of favorites and why these films resonated so with me. There are some spoilers, so beware.
September 2017 in Films
I didn’t actually watch very many films in September. It was partially from post-SUTS overload, but also because I got sucked into a terrible tv show (CW’s Beauty and the Beast reboot. I watched all 70 episodes in two weeks!) Also, I am posting early this month because I will be heading back out to the Pordenone Silent Film Festival tomorrow. More on that when I recap October! Anyways, as always everything I watched plus some favorites can be found after the cut.
Movie Quote of the Day – By The Sea, 2015 (dir. Angelina Jolie Pitt)
Michel: If you really love someone, you want more for them than you want for yourself. Do you understand?
Why Maleficent Matters (Spoilers!)
I saw Maleficent on Monday after reading various critic reviews, audience comments, etc. I was unsure what I was going to think about the film as a whole. I knew I would at least love the cast (Angelina Jolie, Elle Fanning, Sam Riley and Sharlto Copley – what did they do, cast this based on my Tumblr?!). I’ve been thinking about the film ever since and have decided that despite its muddled construction, there are aspects of the film that are very important to today’s film landscape and I think important for little girls to see, and for their parents to (hopefully) discuss with them. It’ll be interesting to see what a generation of women who grew up with this movie will be like. I discuss my take on few very specific aspects of the film after the cut, but if you haven’t seen it yet, there are plot spoilers a-plenty.