Oscar Vault Monday – The Hollywood Revue of 1929, 1929 (dir. Charles Reisner)
This is such a strange film. It was MGM’s second feature-length musical and one of the studio’s earliest sound films. Unlike most MGM musicals, this film really has no overarching plot. Like the title suggests, it’s just a revue – a series of skits, songs and dance numbers by basically everyone on the MGM lot (the only major MGM stars of the era missing are Lon Chaney, Ramon Navarro and Greta Garbo). The film was only nominated for Best Picture and the other films up for the top prize that year were Alibi, In Old Arizona, The Patriot (now a lost film) and winner The Broadway Melody (also an MGM musical).
From The Warner Archive: Forbidden Hollywood, Vol. 7
At this point y’all should be pretty well-versed in Pre-Code Hollywood and all its glory. The Warner Archive is at it again, releasing Vol. 7 of the ever-popular Forbidden Hollywood series. This set features film that, while not the “best” films of the era, feature some of the most salacious scenarios that Hollywood had to offer at the time. These are the kind of morally “loose” films that caused the Catholic church to call the industry indecent. They’re also more sexually charged than most current Hollywood films. The films included in this set are: William A. Wellman’s The Hatchet Man, Edgar Selwyn’s Skyscraper Souls, Roy Del Ruth’s Employees’ Entrance and Robert Florey’s Ex-Lady.