I thought it would be fitting to follow up my in memorium Sidney Lumet post with a more prolonged discussion of one of his greatest masterpieces. Like I said in that earlier post, I saw 12 Angry Men for the first time on PBS a few years ago. I couldn’t believe I’d never seen it before. Part of what makes this an undisputed masterpiece is how timeless it feels. Yes, it’s filmed in black and white, but it feels as fresh as if it were filmed today. Amazing, considering it was Lumet’s first feature film. The only other directorial debut I can think of that is equally as amazing is Orson Welles’ Citizen Kane. Surprisingly this film was only nominated for three Academy Awards and lost them all to The Bridge on the River Kwai (something tells me François Truffaut was not happy with the Academy’s decision that year; read his book The Films in My Life and you’ll see why I think this). The awards it was up for were Best Adapted Screenplay, Best Director and Best Picture. The other films up for Best Picture that year were Peyton Place, Sayonara, Witness For The Prosecution and winner The Bridge on the River Kwai. Regardless of its Academy history, the film is ranked #7 on IMDb’s user-generation Top 250 and is generally considered one of the greatest films ever made.