While, for me, 2011 was not as a great a year in cinema as 2009 (many of the films I loved from that year I didn’t get to see until Jan of 2010, but still), I found myself loving more films this year than I did last year. In fact, you may notice that although I claim this is a list of fifteen films, it in fact contains sixteen films. There is one tie and I will explain my choice when I get to it. Last year before the year ended I managed to watch 53 new releases; this year I saw 57 (which is kind of pitifully low when you consider how many new-to-me films I saw this year; but that’s neither here nor there and you have to wait until tomorrow to read about that cinematic odyssey). I want to point out that my top five films have not changed since October, but the ten (eleven) that follow have been shifted and adjusted many, many times since then. Probably when I rewatch those films late on this list might still evolve some. I also want to mention that there were at least two films that I wanted to see before the end of the year that I was not able to see (The Girl With The Dragon Tattoo and The Adventures of Tintin: The Secret of the Unicorn); as always, there is no way to know whether those films would have even made the list had I seen them, but I wanted to point out that I’ve yet to see them so that comments of “where is ***?!” didn’t ensue. Okay, enough chatter, on to the list.
The Skin That I Inhabit is a revenge picture based on crime novelist Theirry Jonque‘s 2005 book, “Tarantula,” about a plastic surgeon’s revenge on the man who raped his daughter. But really, that’s just scratching the surface. You can read the full synopsis of the book here, but in short, this is a film that has a loathsome protagonist who, while seeking justice for his daughter, keeps his wife imprisoned and subjects her to humiliating sexual acts with strangers.
The film stars Antonio Banderas, Elena Anaya, Marisa Paredes, Jan Cornet, Roberto Alamo, Blanca Suárez, Eduard Fernández, José Luis Gómez, Bárbara Lennie, Susi Sánchez, Fernando Cayo and Teresa Manresa. Longtime collaborators such as composer Alberto Iglesias, DoP Jose Luis Alcaine and editor José Salcedo are once again in the mix. Check out the artwork below.
[summary from IndieWire]
I am intrigued for sure. I love Almodóvar and I love Antonio. I still need to see some of their earlier collaborations, but regardless it’s nice to see them working together. The film is being released Sony Pictures Classics and I believe it is set to premiere at the 64th Cannes Film Festival before a September worldwide release.