Author Archives: Marya E. Gates

Movie Quote of the Day – Eat Pray Love, 2010 (dir. Ryan Murphy)

Liz: I’m in love. I’m having a relationship with my pizza. You look like you’re breaking up with your pizza. What’s the matter?
Sofi: I can’t.
Liz: What do you mean you can’t? This is Pizza Margherita in Napoli, it is imperative to eat and enjoy that pizza.
Sofi: I want to, but I’ve gained like ten pounds. I mean, I’ve got this. . .right here in my tummy, you know this. . .what’s it called? What’s the word for it?
Liz: A muffin top. I have one too.
Sofi: I unbuttoned my jeans like five minutes ago just looking at this.
Liz: Lemme ask you a question, in all the years you’ve ever undressed for a gentleman–
Sofi: —it hasn’t been that many.
Liz: Alright. Has he ever asked you to leave? Has he ever walked out, left?
Sofi: No.
Liz: Because he doesn’t care. He’s in a room with a naked girl. He’s won the lottery. I’m so tired of saying no and waking up in the morning and recalling every single thing I ate the day before. Counting every calorie I consumed so I know exactly how much self-loathing to take into the shower. I’m going for it. I have no interest in being obese; I’m just through with the guilt. So this is what I’m going to do, I’m going to finish this pizza and then we’re going to go watch the soccer game and tomorrow we’re going to go on a little date and buy ourselves some bigger jeans.

Paul Thomas Anderson, Roscoe “Fatty” Arbuckle and August 2012 in Film

I worked a lot of hours in August and I also spent a weekend in L.A. (doing non-movie watching things if you can imagine!), so my new-to-me count for August is pretty low. I mean, for me anyways. I did, however, manage to finish Paul Thomas Anderson’s filmography. If you’ve been paying attention for the last few months, you’ll’ve noticed that Kristen of SalesOnFilm and I had been watching a Paul Thomas Anderson film a month, working our way through his filmography. August’s movie was supposed to be Hard Eight (which we did watch, and I highly recommend), but then a sneak preview popped up at the Castro Theatre for The Master in 70mm, therefore there were two PTA films. I’ll elaborate more on that after the cut. Speaking of films on the big screen, while I was in L.A. I finally got to go to the Aero Theatre (still haven’t made it to the New Bev!) where I saw two Sam Fuller films (including Shock Corridor, which is even better on the big screen!). Last night I saw Vertigo in 70mm at the Castro. I hadn’t seen that film in a good ten years. Recently it usurped Citizen Kane on Sight & Sounds once-a-decade poll of the greatest films of all time. I gotta say, as great as Vertigo is, I gotta call bullshit on that. Lastly, I’ve been watching may way through all of Roscoe “Fatty” Arbuckle’s films that are available on DVD. I’ve still got quite a few left to watch. Boy do I love him. Oh, also when I was in L.A., I got to visit the boys at the Warner Archive. They even let me peak into the coveted DVD closet. I nearly passed out. I’m pretty sure that’s what Heaven looks like. Lastly, in case you missed it, I started writing Oscar Vault Monday again! It’s good to be back. As always, all my new-to-me films for the month are listed after the cut.

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Movie Quote of the Day – The Straight Story, 1999 (dir. David Lynch)

Alvin Straight: You don’t think about getting old when you’re young. . .you shouldn’t.
Cyclist #1: Must be something good about gettin’ old?
Alvin Straight: Well I can’t imagine anything good about being blind and lame at the same time but, still at my age I’ve seen about all that life has to dish out. I know to separate the wheat from the chaff, and let the small stuff fall away.
Cyclist #2: That’s cool man. So, uh, what’s the worst part about being old, Alvin?
Alvin Straight: Well, the worst part of being old is rememberin’ when you was young.

Movie Quote of the Day – American Gigolo, 1980 (dir. Paul Schrader)

Michelle Stratton: How many languages do you speak?
Julian Kaye: Five or six.
Michelle Stratton: Plus the, uh, international language?
Julian Kaye: That’s right.

Movie Quote of the Day – Other Men’s Women, 1931 (dir. William A. Wellman)

Marie: Anything else you guys want?
Railroad worker at Lunch Counter: Yeah, gimme a big slice a’ you on toast, and some French-fried potatoes on the side.
Marie: Listen, baby, I’m A.P.O.
Railroad worker at Lunch Counter: [to the other railroad worker] What does she mean, A.P.O.?
Marie: Ain’t Puttin’ Out!

Movie Quote of the Day – Sullivan’s Travels, 1941 (dir. Preston Sturges)

John L. Sullivan: Film’s the greatest educational medium the world has ever known.

Movie Quote of the Day – The Game, 1997 (dir. David Fincher)

Nicholas: What are you saying?
Conrad: I’m so fucked. They just fuck you and they fuck you and they fuck you, and then just when you think it’s all over, that’s when the real fucking starts!

Oscar Vault Monday – Mississippi Burning, 1988 (dir. Alan Parker)

I just saw Mississippi Burning, which is fictionalized account of real events that happened in Mississippi in 1964, for the first time a few weeks ago and it really blew me away. It may not be a perfect film, but it’s definitely a film with a strong world-view. The film was nominated for seven Academy Awards, winning one: Best Sound, Best Editing, Best Cinematography (won), Best Supporting Actress Frances McDormand, Best Actor Gene Hackman, Best Director and Best Picture. The other films nominated for Best Picture that year were The Accidental Tourist, Dangerous Liaisons, Working Girl and winner Rain Man.

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Movie Quote of the Day – Henry & June, 1990 (dir. Philip Kaufman)

Anaïs Nin: I’m passing through a crisis Eduardo.
Eduardo Sanchez: Be careful Anaïs, abnormal pleasures kill the taste for normal ones.

Movie Quote of the Day – Murder by Numbers, 2002 (dir. Barbet Schroeder)

Justin: Each of us has within us a weak aspect, eager to give up freedom for the comfort of being dominated. But we also have a will to power that desires freedom – that insists on deciding for ourselves, each of us, individually, what is good, and what is evil.