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Movie Quote of the Day – 8½, 1963 (dir. Federico Fellini)


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Guido: What is this sudden happiness that makes me tremble, that gives me strength and life? Forgive me, sweet creatures. I didn’t understand. I didn’t know. How right it is to accept you, love you. And how simple. Luisa, I feel like I’ve been set free. Everything seems so good, so meaningful. Everything is true. I wish I could explain, but I don’t know how. Now everything’s all confused once again, like it was before. But this confusion is me, as I am, not as I’d like to be. I’m no longer afraid of telling the truth about what I don’t know, what I’m looking for, what I haven’t found. Only this way do I feel alive. Only this way can I look into your faithful eyes without shame. Life is a celebration. Let’s live it together. That’s all l can say, Luisa, to you or the others. Accept me for what I am, if you can. it’s the only way we might find each other.

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Movie Quote of the Day – Irma la Douce, 1963 (dir. Billy Wilder)


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Irma La Douce: A painter once lived here. Poor guy, he was starving. Tried everything, even cut his ear off.
Nestor Patou: Van Gogh?
Irma La Douce: No, I think his name was Schwartz.

Movie Quote of the Day – The Haunting, 1963 (dir. Robert Wise)


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Luke Sanderson: Only one way to argue with a woman, Doc. . .don’t.

Movie Quote of the Day – The Wheeler Dealers, 1963 (dir. Arthur Hiller)


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Eloise Cott: You think he’s got more than business on his mind?
Molly Thatcher: Every man has sex on the brain, like it’s some sort of wonder drug. . .a cure-all for everything: colds, pleurisy, arthritis. I even had a guy once tell me that sex prevents cavities.
Eloise Cott: Cavities? In your teeth?
Molly Thatcher: Sure. When you’re tense, you have more acids in your mouth; and acids eat enamel. When you get rid of the tension, you get rid of the acids. And the best way to get rid of tension. . .
Eloise Cott: Don’t tell me! let me guess.

Movie Quote of the Day – The Courtship of Eddie’s Father, 1963 (dir. Vincente Minnelli)


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Eddie: I think she looks swell. It couldn’t be her eyes.
Tom: Her eyes?
Eddie: They’re not all skinny. You know, like those ladies in the comic books who are no good. They always got skinny eyes.
Tom: Skinny eyes. Anything else?
Eddie: Well, there’s one other thing, but. . .it’s about sex.
Tom: Go ahead. I can stand it.
Eddie: Well, the bad ladies, they always got big busts. Now, don’t get mad, Dad, but it’s true. Very big. Skinny eyes, and big busts is how you tell a bad lady from a good one.
Tom: Aren’t there any good ladies in all that stuff you read?
Eddie: Oh sure. . .but they always got medium-size busts. . .and round eyes, of course.
Tom: I’ll keep that in mind.

From The Warner Archive: The Courtship of Eddie’s Father, 1963 (dir. Vincente Minnelli)


As many of you know, I really love Glenn Ford. Like, really love. I am so excited about all the Glenn Ford media hitting the home video market in the last few months. Enter The Courtship of Eddie’s Father from the Warner Archive Collection. This was such a great film; I can’t believe I had never seen it before.

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Movie Quote of the Day – Billy Liar, 1963 (dir. John Schlesinger)


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Liz: Well, when’re you going?
Billy: Oh, soon.
Liz: When’s soon?
Billy: Well, as soon as I can manage.
Liz: It’s a bit vague, isn’t it? Why don’t you go now?
Billy: Why? It’s difficult.
Liz: No, it’s not. It’s easy. You get on a train, and four hours later, there you are in London.
Billy: It’s easy for you. You’ve had the practice.

Movie Quote of the Day – The Birds, 1963 (dir. Alfred Hitchcock)


Annie Hayworth: Did you drive up from San Francisco by the coast road?
Melanie Daniels: Yes.
Annie Hayworth: Nice drive.
Melanie Daniels: It’s very beautiful.
Annie Hayworth: Is that where you met Mitch?
Melanie Daniels: Yes.
Annie Hayworth: I guess that’s where everyone meets Mitch.

Movie Quote of the Day – Shock Corridor, 1963 (dir. Samuel Fuller)


Johnny Barrett: [lets out ear-piercing scream]
Pagliacci: That was *such* a sour note, John.  [Chuckling] You were *way* off key!

Movie Quote of the Day – Love with the Proper Stranger, 1963 (dir. Robert Mulligan)


Rocky Papasano: Man, do you look wild.
Angie Rossini: Thank you.
Rocky Papasano: No, I mean it – I really mean it.
Angie Rossini: Look how surprised he sounds.
Rocky Papasano: You look so – what am I gonna tell ‘ya? You look like a woman.
Angie Rossini: How can you manage to make even a compliment sound like a slap in the face?
Rocky Papasano: What did I say? You look like a woman! I apologise – excuse me. You look like a man.