Blog Archives
Oscar Vault Monday – Lost in Translation, 2003 (dir. Sofia Coppola)
I first saw this movie in 2010 in preparation for the release of Sofia Coppola’s Somewhere (a film that I love dearly), but I wasn’t really sold on its merit at that time. I think some of that had to do with my dislike of Scarlett Johansson (I’m warming up to her a bit these days, but I could still take her or leave her). However, with every rewatch of this film I find more things to love about it. It’s kind of a distant film, but when you warm up to it, or rather it warms up to you, you’ll find it’s a real gem. The film was nominated for four Academy Awards, winning one: Best Original Screenplay (won), Best Actor Bill Murray, Best Director and Best Picture. The other films up for Best Picture that year were Master and Commander: The Far Side of the World, Mystic River, Seabiscuit and winner The Lord of the Rings: The Return of the King.
Movie Quote of the Day – The Dreamers, 2003 (dir. Bernardo Bertolucci)
Matthew: I read it in Cahiers du Cinéma. “A filmmaker is like a Peeping Tom.” A voyeur. It’s as if the camera is a the keyhole to your parents’ bedroom. And you spy on them, and you’re disgusted. You feel guilty but you can’t. . .you can’t look away. It makes films like crimes and directors like criminals. It should be illegal.
Theo: There goes my chance to be a filmmaker.
Matthew: Why?
Theo: My parents always left the bedroom door open.
Oscar Vault Monday – Mystic River, 2003 (dir. Clint Eastwood)
I hadn’t seen this movie until last weekend. I have no idea why I waited so long to see it. I mean, it has a stellar cast and Clint Eastwood is a favorite of mine (as a writer and a director). It’s also based on Dennis Lehane novel (who also wrote the novels on which Shutter Island and Gone Baby Gone were based), with a screenplay written by Brian Helgeland (who shares an Oscar with Curtis Hanson for their on L.A. Confidential). Despite all of that, it took me nearly a decade to actually watch the film. Boy was it worth the wait. It’s probably one of the most tense films I’d ever seen. It was nominated for six Oscars winning two: Best Adapted Screenplay, Best Supporting Actress Marcia Gay Harden, Best Supporting Actor Tim Robbins (won), Best Actor Sean Penn (won), Best Director and Best Picture. Incidentally, this was the first time Best Actor and Best Supporting Actor had come from the same film since 1959’s Ben-Hur. The other films up for Best Picture that year were Lost in Translation, Master and Commander: The Far Side of the World, Seabiscuit and winner The Lord of the Rings: The Return of the King.

























