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Female Filmmaker Friday: Bridget Jones’s Diary, 2001 (dir. Sharon Maguire)


It’s Friday, so it’s time for another edition of Female Filmmaker Friday. Next week I might not post one because of TCMFF, but I think you guys can handle that. This week I’m going to talk about one of my all-time favorite films. There’s a lot to say about Bridget Jones’s Diary and I’m definitely not going to hit all the points; instead I’m just going to write about the aspects and scenes that have stuck with me over the years. I’ve seen this film a million times since it came out in theaters (it was one of the very first DVDs I ever owned) and I’ve also read the book(s). As much as I enjoyed them, this film is my favorite interpretation of the iconic Ms. Jones.

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Oscar Vault Monday – Sense and Sensibility, 1995 (dir. Ang Lee)


When I first saw Ang Lee’s adaptation of Jane Austen’s Sense and Sensibility, I had just finished reading the book and to be quite honest, I didn’t care for it all that much. Emma Thompson won an Oscar for her adapted screenplay and, when I first saw it, I was really unhappy with the changes she’d made to the story and some of the characters. But after repeat viewings, I fell deeply in love with the film, despite said changes. I think it’s really one of those times where you have to suit the story for a new medium and modern audiences (kind of like the 2006 version of The Painted Veil). Sense and Sensibility was nominated for seven Academy Awards, winning one: Best Dramatic Score, Best Costume Design, Best Cinematography, Best Adapted Screenplay Emma Thompson (won), Best Supporting Actress Kate Winslet, Best Actress Emma Thompson and Best Picture. The other films nominated for Best Picture that year were Apollo 13, Babe, Il Postino and winner Braveheart. Both Ron Howard (Apollo 13) and Ang Lee were not nominated for Best Director, despite their films being nominated for Best Picture. Those two spots were given to Tim Robbins (Dead Man Walking) and Mike Figgis (Leaving Las Vegas). Lee, however, was nominated for Best Director by several critic associations, as well as at the BAFTAs, the Golden Globes and the DGA. He was also named Best Director by the National Board of Review.

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