Nina: I love you.
Jamie: I love you.
Nina: I really love you.
Jamie: I really, truly love you.
Nina: I really, truly, madly love you.
Jamie: I really, truly, madly, deeply love you.
Nina: I really, truly, madly, deeply, passionately love you.
Jamie: I really, truly, madly, deeply, passionately, remarkably love you.
Nina: I really, truly, madly, deeply, passionately, remarkably, umm. . .deliciously love you.
Jamie: I really, truly, madly, passionately, remarkably, deliciously. . .juicily love you.
Nina: Deeply! Deeply! You passed on deeply, which was your word, which means you couldn’t have meant it! So you’re a fraud, that’s it! You’re probably a figment of my imagination. . .Juicily?
Antoine Richis: Why did you kill my daughter?
Jean-Baptiste Grenouille: I just needed her.
Antoine Richis: Very well, but remember this. . .I’ll be looking at you when you’re laid on the cross and the twelve blows are crashing down on your limbs. When the crowd is finally tired of your screams and wandered home, I will climb up through your blood and sit beside you. I will look deep into your eyes. . .and drop by drop I will trickle my disgust into them like burning acid until. . . finally. . .you perish.
When I first saw Ang Lee’s adaptation of Jane Austen’s Sense and Sensibility, I had just finished reading the book and to be quite honest, I didn’t care for it all that much. Emma Thompson won an Oscar for her adapted screenplay and, when I first saw it, I was really unhappy with the changes she’d made to the story and some of the characters. But after repeat viewings, I fell deeply in love with the film, despite said changes. I think it’s really one of those times where you have to suit the story for a new medium and modern audiences (kind of like the 2006 version of The Painted Veil). Sense and Sensibility was nominated for seven Academy Awards, winning one: Best Dramatic Score, Best Costume Design, Best Cinematography, Best Adapted Screenplay Emma Thompson (won), Best Supporting Actress Kate Winslet, Best Actress Emma Thompson and Best Picture. The other films nominated for Best Picture that year were Apollo 13, Babe, Il Postino and winner Braveheart. Both Ron Howard (Apollo 13) and Ang Lee were not nominated for Best Director, despite their films being nominated for Best Picture. Those two spots were given to Tim Robbins (Dead Man Walking) and Mike Figgis (Leaving Las Vegas). Lee, however, was nominated for Best Director by several critic associations, as well as at the BAFTAs, the Golden Globes and the DGA. He was also named Best Director by the National Board of Review.
Zero-Time Academy Award Nominees – 20 of the Best Contemporary Actors Who’ve Never Been Nom’d For Oscar
I decided to do this list in alphabetic order, by last name. These are some 20 contemporary actors who have yet to be nominated for an Academy Award and who, in my opinion, deserve to be.