Judge Weaver: Mr. Biegler, you finally got your rape into the case, and I think all the details should now be made clear to the jury. Do you agree, Mr. Lodwick?
Mitch Lodwick: Absolutely.
Judge Weaver: What exactly was the undergarment just referred to?
Paul Biegler: Panties, Your Honor.
Judge Weaver: Do you expect this subject to come up again?
Paul Biegler: Yes, Sir.
Judge Weaver: There’s a certain light connotation attached to the word “panties.” Can we find another name for them?
Mitch Lodwick: I never heard my wife call ’em anything else.
Judge Weaver: Mr. Biegler?
Paul Biegler: I’m a bachelor, Your Honor.
Judge Weaver: That’s a great help. Mr. Dancer?
Claude Dancer: When I was overseas during the war, Your Honor, I learned a French word. I’m afraid that might be slightly suggestive.
Judge Weaver: Most French words are.
Scottie: What’s this doohickey?
Midge: It’s a brassiere! You know about those things, you’re a big boy now.
Scottie: I’ve never run across one like that.
Midge: It’s brand new. Revolutionary up-lift: No shoulder straps, no back straps, but it does everything a brassiere should do. Works on the principle of the cantilevered bridge.
Scottie: It does?
Midge: An aircraft engineer down in the peninsula designed it; he worked it out in his spare time.
Scottie: Kind of a hobby, a do-it-yourself kind of thing!
This was a hard year for me to pick just one film to talk about. Like 1939 before it, so many great films were up for Hollywood’s top prize in 1940. I decided to go with The Philadelphia Story, however, because I saw it on the big screen a few weeks ago and I fell in love with it even more than I already had been. It’s so perfectly written, acted, directed, paced, shot, everything. Truly one of the greatest films of Hollywood’s Golden Era – or ever, really. The film was nominated for six Academy Awards, winning two: Best Screenplay (won), Best Supporting Actress Ruth Hussey, Best Actress Katharine Hepburn, Best Actor Jimmy Stewart (won), Best Director and Best Picture. The other films nominated for Best Picture that year were: All This, and Heaven Too, Foreign Correspondent, The Grapes of Wrath, The Great Dictator, Kitty Folye, The Long Voyage Home, Our Town and winner Rebecca.
I first saw this movie during TCM Summer Under The Stars last August and it made me fall in love with Lee Remick. She is something else in this film, a film that also features a stellar ensemble cast. I also feel I must point out that this was the year that Ben-Hur won Best Picture and as much as I like Anatomy of a Murder there’s no comparison between the two. Especially in terms of scope and pure cinematic epicness. Ben-Hur is the kind of film that could only be a film, whereas Anatomy of Murder could have worked just as well as a play. That being said, Anatomy of a Murder is an amazing film and definitely worth your time. It was nominated for seven Academy Awards, though it failed to win a single award: Best B&W Cinematography, Best Film Editing, Best Adapted Screenplay, Best Supporting Actor Arthur O’Connell, Best Supporting Actor George C. Scott, Best Actor James Stewart and Best Picture. The other films nominated for Best Picture that year were The Diary of Anne Frank, The Nun’s Story, Room at the Top and winner Ben-Hur (which won eleven Oscars).
Alfred Kralik: Can you see her?
Alfred Kralik: Is she pretty?
Pirovitch: Very pretty.
Alfred Kralik: She is, huh?
Pirovitch: I should say, she looks, she has a little of the coloring of Klara.
Alfred Kralik: Klara, Miss Novak of the shop?
Pirovitch: Now, Kralik, you must admit Klara is a very good looking girl, and personally I’ve always found her a very likable girl.
Alfred Kralik: Well this is a fine time to talk about Miss Novak.
Pirovitch: Well, if you don’t like Miss Novak, I can tell you right now you won’t like that girl.
Alfred Kralik: Why?
Pirovitch: Because it is Miss Novak.