Movie Quote of the Day – How The West Was Won, 1962 (dir. John Ford, Henry Hathaway & George Marshall)
Parson Alec Harvey: The laddie’s health the reason you’re heading west?
Zebulon Prescott: Partly, only partly. Mostly our trouble east was rocks. I had me a farm where some years I’d raise a hundred bushels of rocks to the acre.
Rebecca Prescott: Now, Zebulon, you hadn’t oughta lie to the man like that.
Zebulon Prescott: Wife, I’m a god fearin soul and I tell the truth as I see it. Now I never used a plow, I’d blast out the furrows with gunpowder. And then one morning, I hauled the bucket up from out of the well and so help me the bucket was full of rocks. Rocks! I just stood there, right still, tryin’ not to blaspheme, and I said to myself, “You’ve got a son that’s ailin, you’ve got a twenty year old daughter what won’t take to herself a husband, there she sits over there, moonin as usual, and you’ve got another daughter who just don’t seem quite right in the head”. Lilith! Now, I remind you sir, I’m still standin’ there, holding a bucket full of rocks, and starin into a bleak old age. So I made me a vow right then and there, I said, “If I can find a man with five hundred dollars, who likes rocks, then there’s going to be another fool ownin this farm. Well sir, the Lord provided such a man, and here I am.
Rebecca Prescott: He ain’t told you one word of truth, Mr.Harvey. We had the best farm in the township.
Zebulon Prescott: Yeah, Rockville Township it was. Stone County.
Eloise Y. Kelly: You couldn’t tell him?
Victor Marswell: No.
Eloise Y. Kelly: You went noble.
Victor Marswell: I went yellow.
Eloise Y. Kelly: You went noble. [beat] How do you plan to break the news down the street?
Victor Marswell: I’ll think of some way.
Eloise Y. Kelly: [pointing to alcohol] That’s just the way to keep you clearheaded, of course.
Victor Marswell: Sometimes it gets you nasty enough to get a nasty job done.
Eloise Y. Kelly: Then don’t be so stingy with your nastiness, partner.
Victor Marswell: Come here. Let’s have a drink. [beat] Like I’ve always said, Kelly, you’re all right.
Eloise Y. Kelly: Here’s to your noble nastiness.
Last year I watched 517 new-to-me films and I thought that number was ridiculously large. Well, this year not only did I reach that number, I surpassed it with an additional 600 new-to-me films, bringing my grand total to 1,117 new-to-me films for 2011. Don’t believe me? There’s a list after the cut of every film, broken down by month so you can see just exactly what films I watched. I don’t know how to explain how I watched so many films. I will say, it all started with a bet from CybelDP on Twitter. The rest, as they say, is history.
Some life information: for the first half of the year I worked as a substitute teacher (which meant only 1 to 2 days of work a week) and lived in the back of my parents’ house and watched Turner Classic Movies non-stop. From the end of May on I moved to San Francisco, where I now go to the Academy of Art University working towards an MFA in film editing. Yet, somehow amongst all that I managed to watch A LOT OF FRICKIN’ MOVIES. I also watched a lot of movies in theaters (thank you very much Castro Theatre) for the first time that were films I’d already seen. If you take a look at each of my monthly wrap-ups, I talk about what films those were.
Last year in my end of the year post I wrote about how many films with certain stars that I’d seen and stuff like that. The sheer volume of films I saw this year makes that task pretty difficult. I will say, I saw a lot of films featuring the following and if you want to try to look through my list and figure out exact numbers, be my guest: Orson Welles, Buster Keaton, James Cagney, Lew Ayres, Joseph Cotten, Joel McCrea, Glenn Ford, Henry Fonda, Ray Milland, Robert Taylor, Ryan O’Neal, Joan Blondell, Joan Crawford, Bette Davis and Jean Harlow. There are probably others whose filmographies I put giant dents in this year, but those are the ones that really stuck out. Speaking of filmographies, I also finished a handful of director filmographies this year: Woody Allen, Jim Jarmusch and Martin Scorsese. I also came close to finishing off Orson Welles, Stanley Kubrick and Elia Kazan and watched a bunch of films by Robert Altman, Peter Bogdanovich, Fritz Lang and John Ford. I also discovered a love for Westerns that I never knew I had (well, other than Clint Eastwood westerns, which I always loved). Oh, and I’ve only got 76 Best Picture nominated films left to see. That’s out of 487 films total, so I think I’m doing pretty well there.
One last thing before I reveal the list and my favorite new-to-me film of the year: in this past year I have felt more intellectually stimulated than I have ever felt before. Everyday I watched films and every film that I watched I gathered new information and my brain felt so alive and so active; it’s an amazing feeling for sure. I would go to bed thinking about the films I’d watched that day and the actors and directors and screenwriters that I learned about. I would think about Cedric Gibbons and Douglas Shearer and the amazing jobs they did at MGM and Irving Thalberg’s genius and how I wish I could be as prolific as Woody Allen. Then I would wake up the next day and start all over again and the more I watched the more everything fit together, the more I got from every film because I could see how it fit within the framework of cinema’s history. It was an amazing year of discovery and reflection and I wouldn’t trade it for anything in the world.
And, now, without further ado, the list. Ps. there’s more writing after the list, so please keep reading! Also, for some reason WordPress can’t handle a bulleted list that has four digits, so it cuts off the numbers towards the end of the list. But I think you can still figure out what’s what.
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It’s that time of year. Everyone is frantically trying to finish end of the year projects at work or at school. People are freaking out because they are alone (hopefully not forever though!), etc. etc. It’s also that time of year when we celebrate those we love by giving them things we think they’ll love (or that we love and want to convince them to love, too). Thus I give you my first-ever Holiday Gift Guide, filled with 15 things that I think would make awesome gifts for the movie lover in your life.
Ma Joad: How am I gonna know about ya, Tommy? Why they could kill ya and I’d never know. They could hurt ya. How am I gonna know?
Tom Joad: Well, maybe it’s like Casy says. A fellow ain’t got a soul of his own, just little piece of a big soul, the one big soul that belongs to everybody, then. . .
Ma Joad: Then what, Tom?
Tom Joad: Then it don’t matter. I’ll be all around in the dark – I’ll be everywhere. Wherever you can look – wherever there’s a fight, so hungry people can eat, I’ll be there. Wherever there’s a cop beatin’ up a guy, I’ll be there. I’ll be in the way guys yell when they’re mad. I’ll be in the way kids laugh when they’re hungry and they know supper’s ready, and when the people are eatin’ the stuff they raise and livin’ in the houses they build – I’ll be there, too.