Monthly Archives: October 2010
Oscar Vault Monday – Goodfellas, 1990 (dir. Martin Scorsese)
Originally when I was going to write about 1990, I was going to write about Ghost because I really love that film and it always fascinates me that it was nominated for Best Picture. Then I watched Goodfellas and discovered that Ray Liotta was NOT nominated for his stellar performance in it and there was just no way I couldn’t write about how wrong that I think that is. I haven’t seen a lot of Scorsese’s films, but I’ve seen a good deal, and this is my favorite of those I’ve seen. I also think it’s his finest film, I say this having not seen Raging Bull and I know that that film is often heralded as his best. Goodfellas was nominated for six Academy Awards, but only won one: Best Film Editing, Best Adapted Screenplay, Best Supporting Actress Lorraine Bracco, Best Supporting Actor Joe Pesci (won), Best Director and Best Picture. It was up against Awakenings, Ghost, The Godfather: Part III and winner Dances With Wolves. I’ve yet to see Awakenings, but of the other four, and despite my undying love for Ghost, I’d definitely say Goodfellas is the best film of the group.
New Posters For “The Tourist,” “True Grit” and “For Colored Girls”
Each of these posters have a different style and each are for a movie that are completely different kind of movies. I can’t wait to see The Tourist because I love Angelina Jolie and Johnny Depp. The trailer for the Coen Brothers’ remake of True Grit has sold me on its merits. I generally don’t like Tyler Perry’s films, but this one looks like it could be so much better than his previous films. Regardless, this new poster for For Colored Girls is breathtaking.
Movie Quote of the Day – Roger Dodger, 2002 (dir. Dylan Kidd)
Nick: It always drives me nuts when I hear a guy going on about something a girl does that’s supposed to be so sexy.
Andrea: Like what kind of thing?
Nick: I don’t know. Like how she flips her hair. How she stands with one foot to the side. It could be anything.
Roger: What’s wrong with that?
Nick: Because that’s nothing. That’s just something she does. And she probably only does it because she saw it in a movie. It’s not real. It’s not their real stuff.
Roger: All that stuff– the hair flips, the mannerisms, the catch phrases. They add up to the personality. So they are what’s real.
Nick: Yeah, but it’s all the outside stuff. That’s fiine in the beginning. You need the outside stuff. You need, like, the reasons to be in love. But I think you can get past that. I think you can get to the part where the little tricks don’t mean anything.
Roger: I say you are attracted to what is in front of you. End of story.
Andrea: How romantic.
Nick: It takes years and years together.
Roger: Yeah?
Nick: I can’t describe it exactly but it’s like there’s nothing she can do. All her usual ways of hooking you in have no effect and yet you’re still in love. It’s like the act is over and you get to the part she’s been hiding. And she’s been hiding it because she thinks that’s the part that’s gonna blow it or make you leave or get bored or whatever, but you get to that part, and you’re still there. And you’re even more in love.
Andrea: Wow.
Roger: Have you met my nephew? His name is Jesus.























