Blog Archives
Poster for Spielberg’s “War Horse”
I’ve been excited for this film since the first trailer was released in June. Oh, who am I kidding, I’ve been excited for this movie since I read about it over a year ago. Spielberg, check. Horses, check. (for the record, I like horses, they don’t like me). WWI, check. Awesome cinematography, check.
I simply cannot wait for the end of December. War Horse is due in US theaters on December 28, 2011 and The Adventures of Tintin: Secret of the Unicorn (also directed by Spielberg) is due out in US theaters on December 23, 2011.
Trailer and Poster for Fincher’s The Girl With The Dragon Tattoo
This looks…interesting. I love Fincher so I’ll put aside my dislike of Daniel Craig and see this in theaters for sure.
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German Poster For Malick’s “The Tree of Life”
This poster seems to emphasize the domestic aspects of Terrence Malick’s newest films that promises to span millennia, including the origins of life – an dinosaurs! – as well as a look at the life of a boy’s relationship with his father. Brad Pitt is the father in the 1950s (or so) and Sean Penn plays the grown up version of the son. I absolutely love everything that Malick has ever done and am more than excited for this film.
The film is set to premiere on May 16, 2011 at the Cannes Film Festival before opening wide on May 27, 2011 in the United States.
New Posters For 127 Hours, Casino Jack, The King’s Speech and London Boulevard
These are all films I cannot wait to see. Especially London Boulevard, the directorial debut of William Monahan, who won an Academy Award for his adapted screenplay of 2006’s The Departed.
New Posters For The Tourist, Rabbit Hole, Morning Glory and The Way Back
I cannot wait to see all of these movies. They each have the potential to be amazing, though they’re all such different genres. They also star a plethora of people I love.
New Posters For “Made in Dagenham” and “For Colored Girls”
I love Sally Hawkins and pretty much everyone else in Nigel Cole’s Made in Dagenham and For Colored Girls is perhaps the only Tyler Perry film I’ve ever actually wanted to see.