Author Archives: Marya E. Gates
Oscar Vault Monday – Inglourious Basterds, 2009 (dir. Quentin Tarantino)
There is so much to write about with this film. Lots of production history and awards history, etc. But those are all things you can look up elsewhere, or watch on the DVD extras, so I am mostly going to stick with various impressions and favorite parts of this film. when taking screencaps for the post I somehow wound up with 177 images. I have whittled this down to 34. It was difficult. I’ll probably post the extras on Tumblr over the week. It’s just such a beautifully composed film. The first post I ever made on this site was about how Inglourious Basterds topped the SAG nominations, so this movie and this site are forever linked. I saw this movie when I managed to get a Friday off from a job that I hated. My mother and I drove 100 miles to Klamath Falls, Oregon and saw this and then got coffee for an hour and then saw (500) Days of Summer. I like to think of that trip as either Inglourious Summer, or: (500) Days of Basterds. It was a good trip, if not a little emotionally draining. Inglouious Basterds was nominated for eight Academy Awards, winning one: Best Sound Editing, Best Sound Mixing, Best Cinematography, Best Film Editing, Best Supporting Actor Christoph Waltz (won), Best Original Screenplay, Best Director and Best Picture. The other films up for Best Picture that year were A Serious Man, An Education, Avatar, District 9, Precious, The Blind Side, Up and Up in the Air.
Moving, Jobs and Birthdays: June 2013 in Films
As I stated in last month’s end-of-the-month wrap-up, I moved to Los Angeles (North Hollywood to be specific) to start a job with the Warner Archive Collection at Warner Bros. in Burbank. I officially started on the 7th of June and it’s been a great few first weeks. We even got to go to the Saturn Awards last week (I met an Ewok and talked to Joss Whedon!!!). As far as cinema-going goes, I’ve gone to the ArcLight Sherman Oaks and the Laemmle NoHo 7 (several times). I also saw Some Like It Hot at the Hollywood Forever Cemetery as part of Cinespia, I saw Dial M For Murder at the Academy in 3D (amazing, Hitchock really used it as part of his storytelling tools) and finally got to see Boxing Day at the L.A. Film Fest, which co-starred my friend and teacher Matthew Jacobs. Yesterday was my 27th birthday and I am looking forward to a new year and another six months of unfettered cinematic love.
Movie Quote of the Day – Light in the Piazza, 1962 (dir. Guy Green)
Meg Johnson: Signor Naccarelli?
Signor Naccarelli: Yes?
Meg Johnson: During my stay in Italy, I have been told on several occasions that Anglo-Saxons know very little about passion. Is that what you ware working up to?
Signor Naccarelli: You think me insincere? You find me unattractive?
Meg Johnson: No, I find you quite attractive, but there are plenty of American men who appreciate women just as much as you do.
Movie Quote of the Day is Three Years Old!
I can’t believe I have been doing a movie quote a day for three years now! So much has happened in those three years. When I started this feature, I was living in the back of my parents’s house with a bunch of cats and a dinky television where I watched TCM 16 hours a day (I still have that television; it’s been with me since the year 2000!). Last year I was living in San Francisco, where I was for two years working towards my M.F.A. in film production at the Academy of Art University (I still have a semester left) and now I am living in North Hollywood and I work for the Warner Archive Collection. It’s amazing the amount of change three years can hold. I hope y’all have enjoyed this feature as much as I have enjoyed posting it! You can see all 1086 quotes here on this handy dandy page I made for the feature. Under the cut are all the quotes from the last year. Enjoy!

Movie Quote of the Day – Guess Who’s Coming to Dinner, 1967 (dir. Stanley Kramer)
Christina Drayton: Now I have some instructions for you. I want you to go straight back to the gallery – Start your motor – When you get to the gallery tell Jennifer that she will be looking after things temporarily, she’s to give me a ring if there’s anything she can’t deal with herself. Then go into the office, and make out a check, for “cash,” for the sum of $5,000. Then carefully, but carefully Hilary, remove absolutely everything that might subsequently remind me that you had ever been there, including that yellow thing with the blue bulbs which you have such an affection for. Then take the check, for $5,000, which I feel you deserve, and get – permanently – lost. It’s not that I don’t want to know you, Hilary – although I don’t – it’s just that I’m afraid we’re not really the sort of people that you can afford to be associated with. Don’t speak, Hilary, just. . .go.
Movie Quote of the Day – Trois Couleurs: Bleu, 1993 (dir. Krzysztof Kieślowski)
Julie Vignon-de Courcy: You know, I was happy before. I loved them, and they loved me. Mother, are you listening?
Madame Vignon: Yes, Marie-France.
Julie Vignon-de Courcy: Now I have just one thing left to do: nothing. I want no possessions, no memories. . .no friends, no lovers. . .they’re all traps.
Movie Quote of the Day – Punch-Drunk Love, 2002 (dir. Paul Thomas Anderson)
Barry: Hi Lena. I’m so sorry. I’m so sorry I left you at the hospital. I called a phone sex line. . .I called a phone sex line before I met you. And four blond brothers came after me. And they hurt you and I’m sorry. And then I had to leave again because I wanted to make sure you never got hurt again. And. . .and I have a lot of pudding. . .and 6 to 8 weeks it can be redeemed. So, if you could just give me that much time, I think I can get enough mileage to go with you wherever you have to go, if you have to travel for your work because I don’t ever want to be anywhere without you. So. . .could you just let me redeem the mileage?
























