Author Archives: Marya E. Gates
Giveaway and Live Chat with Angelina Jolie!
I have some exciting news, next week there will be a live web chat with Angelina Jolie about her Golden Globe-nominated directorial debut In The Land of Blood And Honey. There’s a great ap with a countdown and lots of information about the film on our Facebook page. Unfortunately, WordPress won’t let me use the iframe code, but you can see the ap here. If you have any questions for Angelina, you can leave them as comments below and one of them might be answered by her during the chat on January 12th. Also one lucky reader will win the film’s poster! Fabulous.
Here’s the film’s official synopsis:
Set against the backdrop of the Bosnian War that tore the Balkan region apart in the 1990s, the film tells the story of Danijel (Goran Kostić) and Ajla (pronounced Ayla) (Zana Marjanović), two Bosnians from different sides of a brutal ethnic conflict. Danijel, a Bosnian Serb police officer, and Ajla, a Bosnian Muslim artist, are together before the war, but their relationship is changed as violence engulfs the country. Months later, Danijel is serving under his father, General Nebojsa Vukojevich (Rade Šerbedžija), as an officer in the Bosnian Serb Army. He and Ajla come face to face again when she is taken from the apartment she shares with her sister, Lejla (Vanesa Glodjo), and Lejla’s infant child by troops under Danijel’s command. As the conflict takes hold of their lives, their relationship changes, their motives and connection to one another become ambiguous and their allegiances grow uncertain. In the Land of Blood and Honey portrays the incredible emotional, moral and physical toll that the war takes on individuals as well as the consequences that stem from the lack of political will to intervene in a society stricken with conflict.
So to repeat, leave a question in the comments below for a chance to have it answered by Angelina Jolie herself, as well as a chance to win your own In The Land of Blood and Honey poster. Also, don’t forget to share this post on Facebook and Twitter (reply @oldfilmsflicker so I can see the tweet!) FYI, I think the giveway is only for U.S. residents. Sorry about that all you wonderful international readers! Also, make sure you leave me some way to contact you (email, twitter, tumblr, etc.) so I can contact you if you win.
WGA Nominations Announced
ORIGINAL SCREENPLAY
50/50 – Will Reiser
Bridesmaids – Annie Mumolo & Kristen Wiig
Midnight in Paris – Woody Allen
Win Win – Tom McCarthy
Young Adult – Diablo Cody
ADAPTED SCREENPLAY
The Descendants – Alexander Payne and Nat Faxon & Jim Rash; Based on the novel by Kaui Hart Hemming;
The Girl with the Dragon Tattoo – Steven Zaillian; Based on the novel by Stieg Larsson
The Help – Tate Taylor; Based on the novel by Kathryn Stockett
Hugo – John Logan; Based on the book The Invention of Hugo Cabret by Brian Selznick
Moneyball – Steven Zaillian and Aaron Sorkin; Story by Stan Chervin; Based on the book by Michael Lewis
DOCUMENTARY SCREENPLAY
Better This World – Katie Galloway & Kelly Duane de la Vega
If a Tree Falls: A Story of the Earth Liberation Front – Marshall Curry and Matthew Hamachek
Nostalgia for the Light – Patricio Guzmán
Pina – Wim Wenders
Position Among the Stars – Hetty Naaijkens-Retel Helmrich, Leonard Retel Helmrich
Senna – Manish Pandey
Keep in mind, the following screenplays were ineligible: Original: The Artist, Beginners, The Iron Lady, Like Crazy, Margin Call, Martha Marcy May Marlene, Melancholia, Rango and Take Shelter; Adapted: Albert Nobbs, Carnage, Drive, Jane Eyre, My Week with Marilyn, Shame, The Skin I Live In and Tinker, Tailor, Soldier, Spy.
Movie Quote of the Day – Austin Powers: The Spy Who Shagged Me, 1999 (dir. Jay Roach)
Dr. Evil: Anyways, the key to this plan is the giant laser. It was invented by the noted Cambridge physicist Dr. Parsons. Therefore, we shall call it the Alan Parsons Project.
Scott: Oh, my God.
Dr. Evil: What now?
Scott: The Alan Parsons Project is a progressive rock band in 1982. Why don’t you just name it ‘Operation Wang-Chung’? Ass.
Dr. Evil: What should we. . .
Scott: Nothing. I’m sure ‘Operation Bananarama’ will be huge.
Dr. Evil: What are you saying?
Scott: If you’re. . .
Dr. Evil: Shh.
Scott: . . .trying to be hip. . .
Dr. Evil: www [dot] shh [dot] com . . . [dot] org.
Producers Guild Nominations Announced
Darryl F. Zanuck Producer of the Year Award in Theatrical Motion Pictures:
THE ARTIST
Producer: Thomas Langmann
BRIDESMAIDS
Producers: Judd Apatow, Barry Mendel, Clayton Townsend
THE DESCENDANTS
Producers: Jim Burke, Alexander Payne, Jim Taylor
THE GIRL WITH THE DRAGON TATTOO
Producers: Ceán Chaffin, Scott Rudin
THE HELP
Producers: Michael Barnathan, Chris Columbus, Brunson Green
HUGO
Producers: Graham King, Martin Scorsese
THE IDES OF MARCH
Producers: George Clooney, Grant Heslov, Brian Oliver
MIDNIGHT IN PARIS
Producers: Letty Aronson, Stephen Tenenbaum
MONEYBALL
Producers: Michael De Luca, Rachael Horovitz, Brad Pitt
WAR HORSE
Producers: Kathleen Kennedy, Steven Spielberg
The Producers Guild of America Producer of the Year Award in Animated Theatrical Motion Pictures:
THE ADVENTURES OF TINTIN
Producers: Peter Jackson, Kathleen Kennedy, Steven Spielberg
CARS 2
Producer: Denise Ream
KUNG FU PANDA 2
Producer: Melissa Cobb
PUSS IN BOOTS
Producers: Joe M. Aguilar, Latifa Ouaou
RANGO
Producers: John B. Carls, Gore Verbinski
2011 in Films: A Year-Long Cinematic Odyssey Through 1,117 New-To-Me Films
Last year I watched 517 new-to-me films and I thought that number was ridiculously large. Well, this year not only did I reach that number, I surpassed it with an additional 600 new-to-me films, bringing my grand total to 1,117 new-to-me films for 2011. Don’t believe me? There’s a list after the cut of every film, broken down by month so you can see just exactly what films I watched. I don’t know how to explain how I watched so many films. I will say, it all started with a bet from CybelDP on Twitter. The rest, as they say, is history.
Some life information: for the first half of the year I worked as a substitute teacher (which meant only 1 to 2 days of work a week) and lived in the back of my parents’ house and watched Turner Classic Movies non-stop. From the end of May on I moved to San Francisco, where I now go to the Academy of Art University working towards an MFA in film editing. Yet, somehow amongst all that I managed to watch A LOT OF FRICKIN’ MOVIES. I also watched a lot of movies in theaters (thank you very much Castro Theatre) for the first time that were films I’d already seen. If you take a look at each of my monthly wrap-ups, I talk about what films those were.
Last year in my end of the year post I wrote about how many films with certain stars that I’d seen and stuff like that. The sheer volume of films I saw this year makes that task pretty difficult. I will say, I saw a lot of films featuring the following and if you want to try to look through my list and figure out exact numbers, be my guest: Orson Welles, Buster Keaton, James Cagney, Lew Ayres, Joseph Cotten, Joel McCrea, Glenn Ford, Henry Fonda, Ray Milland, Robert Taylor, Ryan O’Neal, Joan Blondell, Joan Crawford, Bette Davis and Jean Harlow. There are probably others whose filmographies I put giant dents in this year, but those are the ones that really stuck out. Speaking of filmographies, I also finished a handful of director filmographies this year: Woody Allen, Jim Jarmusch and Martin Scorsese. I also came close to finishing off Orson Welles, Stanley Kubrick and Elia Kazan and watched a bunch of films by Robert Altman, Peter Bogdanovich, Fritz Lang and John Ford. I also discovered a love for Westerns that I never knew I had (well, other than Clint Eastwood westerns, which I always loved). Oh, and I’ve only got 76 Best Picture nominated films left to see. That’s out of 487 films total, so I think I’m doing pretty well there.
One last thing before I reveal the list and my favorite new-to-me film of the year: in this past year I have felt more intellectually stimulated than I have ever felt before. Everyday I watched films and every film that I watched I gathered new information and my brain felt so alive and so active; it’s an amazing feeling for sure. I would go to bed thinking about the films I’d watched that day and the actors and directors and screenwriters that I learned about. I would think about Cedric Gibbons and Douglas Shearer and the amazing jobs they did at MGM and Irving Thalberg’s genius and how I wish I could be as prolific as Woody Allen. Then I would wake up the next day and start all over again and the more I watched the more everything fit together, the more I got from every film because I could see how it fit within the framework of cinema’s history. It was an amazing year of discovery and reflection and I wouldn’t trade it for anything in the world.
And, now, without further ado, the list. Ps. there’s more writing after the list, so please keep reading! Also, for some reason WordPress can’t handle a bulleted list that has four digits, so it cuts off the numbers towards the end of the list. But I think you can still figure out what’s what.
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