TCMParty‘s Trevor Jost has written a few guest posts for the site in the past, so I was very excited when he asked if he could write about the San Francisco Silent Film Festival. Since moving to LA last year I’ve missed like four events with that festival and it breaks my heart. I hope you enjoy reading Trevor’s take on the festival as much as I did!
I was pretty happy with last year’s Holiday Gift Guide, so I thought I’d do it again this year. This year gifts range from $5 books to $250 dollar box sets. I’ve scoured Amazon for the best box sets, as well as added some films and books that have made my year pretty great. I think there’s a little something for everyone here. Treat yourself. Treat the movie lover in your life. Treat your favorite film blogger. Everything you need can be found in this handy, dandy guide. I upped this year’s list from 15 to 20 items because there were just so many great new Blu and box set releases this year!
Last year I watched 517 new-to-me films and I thought that number was ridiculously large. Well, this year not only did I reach that number, I surpassed it with an additional 600 new-to-me films, bringing my grand total to 1,117 new-to-me films for 2011. Don’t believe me? There’s a list after the cut of every film, broken down by month so you can see just exactly what films I watched. I don’t know how to explain how I watched so many films. I will say, it all started with a bet from CybelDP on Twitter. The rest, as they say, is history.
Some life information: for the first half of the year I worked as a substitute teacher (which meant only 1 to 2 days of work a week) and lived in the back of my parents’ house and watched Turner Classic Movies non-stop. From the end of May on I moved to San Francisco, where I now go to the Academy of Art University working towards an MFA in film editing. Yet, somehow amongst all that I managed to watch A LOT OF FRICKIN’ MOVIES. I also watched a lot of movies in theaters (thank you very much Castro Theatre) for the first time that were films I’d already seen. If you take a look at each of my monthly wrap-ups, I talk about what films those were.
Last year in my end of the year post I wrote about how many films with certain stars that I’d seen and stuff like that. The sheer volume of films I saw this year makes that task pretty difficult. I will say, I saw a lot of films featuring the following and if you want to try to look through my list and figure out exact numbers, be my guest: Orson Welles, Buster Keaton, James Cagney, Lew Ayres, Joseph Cotten, Joel McCrea, Glenn Ford, Henry Fonda, Ray Milland, Robert Taylor, Ryan O’Neal, Joan Blondell, Joan Crawford, Bette Davis and Jean Harlow. There are probably others whose filmographies I put giant dents in this year, but those are the ones that really stuck out. Speaking of filmographies, I also finished a handful of director filmographies this year: Woody Allen, Jim Jarmusch and Martin Scorsese. I also came close to finishing off Orson Welles, Stanley Kubrick and Elia Kazan and watched a bunch of films by Robert Altman, Peter Bogdanovich, Fritz Lang and John Ford. I also discovered a love for Westerns that I never knew I had (well, other than Clint Eastwood westerns, which I always loved). Oh, and I’ve only got 76 Best Picture nominated films left to see. That’s out of 487 films total, so I think I’m doing pretty well there.
One last thing before I reveal the list and my favorite new-to-me film of the year: in this past year I have felt more intellectually stimulated than I have ever felt before. Everyday I watched films and every film that I watched I gathered new information and my brain felt so alive and so active; it’s an amazing feeling for sure. I would go to bed thinking about the films I’d watched that day and the actors and directors and screenwriters that I learned about. I would think about Cedric Gibbons and Douglas Shearer and the amazing jobs they did at MGM and Irving Thalberg’s genius and how I wish I could be as prolific as Woody Allen. Then I would wake up the next day and start all over again and the more I watched the more everything fit together, the more I got from every film because I could see how it fit within the framework of cinema’s history. It was an amazing year of discovery and reflection and I wouldn’t trade it for anything in the world.
And, now, without further ado, the list. Ps. there’s more writing after the list, so please keep reading! Also, for some reason WordPress can’t handle a bulleted list that has four digits, so it cuts off the numbers towards the end of the list. But I think you can still figure out what’s what.
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When I first netflixed this film I watched it three times before sending it back – twice back-to-back and then a third time the next morning. I was completely blown away with how wonderful it was, from start to finish. I know a lot of people consider Some Like It Hot to be Billy Wilder’s best film and as much as I like that one, I have to disagree and go with Sunset Blvd. It is a masterpiece in every sense of the word. The film was nominated for 11 Academy Awards, winning three for black-and-white Art Direction, Best Writing – story and screenplay and Best Score. For Best Picture it was up against Father of the Bride, King Solomon’s Mines, Born Yesterday and lost to All About Eve. All About Eve wound up winning six Oscars in all. Another tight race that year was Best Actress, Gloria Swanson in Sunset Blvd. was up against Bette Davis and Anne Baxter in All About Eve, but all three lost to Judy Holliday in Born Yesterday. Having watched all three of those films within a few days of each other it is my belief that, although Holliday’s performance was stunning, the other three women spilt the vote so severely that Holliday won by default. I’ll say it up front, I enjoyed All About Eve, but I deeply love Sunset Blvd. and think it is by and far the greater of the two films.
Beware: there be spoilers after the cut.