I hope you are ready for a TON of links because I was incredibly prolific in September! First off, for the Classic Film Collective I recommended Alice Guy-Blaché’s Falling Leaves and wrote a poem about the late Jean-Paul Belmondo. Podcast wise, Billy Ray Brewton joined me to talk Springsteen on Prog Save America, and I made not one, but two appearances on Blake Howard’s Zodiac Chronicle. For my column this month I spoke to Núria Frigola Torrent on her new film The Song of the Butterflies, married directing duo Gita Pullapilly & Aaron Gaudet about Queenpins, Lina Roessler about her debut film Best Sellers, and dancer-turned-director Connie Hochman talks about her debut documentary In Balanchine’s Classroom.
I also covered the Toronto International Film Festival! For The Playlist I reviewed Dear Evan Hansen, Colin In Black and White, Lakewood, The Starling, The Mad Women’s Ball, and Silent Night. For RogerEbert.com I wrote about six African films. Dispatch one: Neptune Frost, Mlungu Wam (Good Madam), and Lingui The Sacred Bonds. Dispatch two: Astel, The Gravedigger’s Wife, and Saloum. For Moviefone I interviewed kate Dolan about her film You Are Not My Mother, Agustina San Martín about her film To Kill The Beast, Camille Griffin about her film Silent Night, Edgar Wright and co-writer Krysty Wilson-Cairns about their film Last Night In Soho, Justine Bateman about her film Violet, and Anita Rocha Da Silveira about her film Medusa.
But that’s not all! For Nerdist I wrote about my favorite recent depictions of bisexual and pansexual characters in film and television. I made my SlashFilm debut writing about the irresponsible depictions of suicide in Dear Evan Hansen and Roadrunner: A Film About Anthony Bourdain. For Crooked Marquee I reviewed the delightfully deranged Palme d’or winner Titane. For Moviefone I reviewed the wonderfully queer Venom: Let There Be Carnage. And lastly, I made my InStyle debut profiling The Many Saints of Newark star Alessandro Nivola!
If you’re not completely exhausted (like I am), after the cut you can find everything I watched in September, plus as always a breakdown by decade and a brief sampling of my favorites.
I honestly cannot believe this is the end of a decade. The 2010s have been a very transformative decade for me in almost every way possible. The one thing that has stayed with me is my love of cinema. I always have ups and downs with contemporary cinema, but this year I found several films that really spoke to me. So, as always, you can find my favorite fifteen films of the year after the cut. You can also see my whole list here.
The final month of the final year of the decade. How did we get here??? Time is an illusion, but the enjoyment you get from movies is real. Dig it! With that, here is everything I watched in this month.
Lately I’ve become more and more frustrated with the various “best ever” lists that have been released because they rarely feature films by women, or if they do it’s usually one or two films. I think this is more a reflection of those who are polled for these kinds of lists, as well as a compounding of history on itself. For so long films by men have made up the bulk of the film canon and I think people are afraid to add new films to these revered lists. I also think many people haven’t seen very many films by women, or if they have it’s always the same handful of films. In an attempt to create a better, more inclusive list of great films by women, I polled over 500 critics, filmmakers, bloggers, historians, professors and casual film viewers, asking them to tell me what films directed (or co-directed) by women are essential viewing. Some people only responded with as little as five votes, others submitted hundreds of films. In the end, I received over 7,000 votes for 1,100+ different films. After tallying up this data, with ties factored in, I then had a list of 103 essential films directed by women.