Monthly Archives: June 2014
Female Filmmaker Friday: Bend It Like Beckham, 2002 (dir. Gurinder Chadha)
This movie did not come to my hometown theater and I was dyyyyying to see it. I think it finally was available to rent after Pirates of the Caribbean: Curse of the Black Pearl came out in theaters. Of course, my hometown rental store mostly had “full frame” VHS tapes and a few “full frame” DVDs at that time, so odds are I saw a really shitty version. But I do remember distinctly watching it with my best friend Sadie (we were both in track and field at the time) and we both loved it so much. I think this kind of movie is really important for the development of the self-esteem of young girls. We need more positive, complex movies like this.

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Movie Quote of the Day – Anchors Aweigh, 1945 (dir. George Sidney)
Clarence Doolittle: She’s wonderful. She’s just about the loveliest. . .Only, you know something? I can never talk to her. I can never talk to girls at all. I never know what to say.
The Girl From Brooklyn: What’s the matter with you? You’re talking to me, ain’t you?
Clarence Doolittle: Oh, you. . .Oh, I mean. . .I mean, you’re different. You’re from Brooklyn.
Movie Quote of the Day – Green Dolphin Street, 1947 (dir. Victor Saville)
Marianne Patourel: These figures prove that at the present cost of operation, a steamboat will eat up all its profits
Octavius Patourel: I still say, it’s most unseemly for a young woman to know so much about the shipping business.
Marianne Patourel: Oh, Papa, you’ll be using steamships in eight or ten years. But, by that time, you’ll be retired and I’ll be running the business.
Octavius Patourel: By that time, you’ll be married to some smart young fellow who will carry on in my place.
Marianne Patourel: If I ever marry, it won’t be because the groom is a good businessman.
Octavius Patourel: Marianne, my dear, sometimes you shock me.
Marianne Patourel: Of course I do. I’m bold and scheming and sometimes I think I’m not quite nice.
Movie Quote of the Day – Susan and God, 1940 (dir. George Cukor)
Blossom: Why can’t we all be together once in awhile? Why can’t we be some sort of a family, like other people? Why can’t we? Why can’t we? Why can’t we?
Barrie: I didn’t know you felt this way about it. I suspect it’s all my fault.
Blossom: You’re alright, Dad. Why can’t you be like this all the time?
Barrie: It seems simple enough, doesn’t it? Somehow what we mean to be and what we are, are quite different.
Movie Quote of the Day – Dead Man, 1995 (dir. Jim Jarmusch)
Nobody: Did you kill the white man who killed you?
William Blake: I’m not dead.
Nobody: What name were you given at birth, stupid white man?
William Blake: Blake.William Blake.
Nobody: Is this a lie? Or a white man’s trick?
William Blake: No, I’m William Blake.
Nobody: Then you are a dead man.
William Blake: I’m sorry. I d– I don’t understand.
Nobody: Is your name really William Blake?
William Blake: Yes.
Nobody: Every night / and every morn’, / some to misery are born. / Every morn’ and every night, / some are born to sweet delight. / Some are born to sweet delight. / Some are born to endless night.
William Blake: I really don’t understand.
Nobody: But I understand, William Blake. You were a poet and a painter. And now, you are a killer of white men. You must rest now, William Blake. Some are born to sweet delight./ Some are born to endless night.
Movie Quote of the Day – Melinda and Melinda, 2004 (dir. Woody Allen)
Ellis Moonsong: Why do things that start off so promisingly always have a way of ending up in the dump?
Melinda Robicheaux: Not for everyone.
Ellis Moonsong: Well, for anybody with any imagination. You know, life is manageable enough if you keep your hopes modest. The minute you allow yourself sweet dreams you run the risk of them crashing down.
Movie Quote of the Day – Le divorce, 2003 (dir. James Ivory)
Roxy: Didn’t anyone ever tell you not to accept expensive gifts from men? Anyway, you should give it back.
Isabel: Anyway, he wouldn’t take it back. And anyway, why shouldn’t one accept an expensive gift from a man if he wants to give it?
Roxy: Because it puts you in the position of having to do what he wants.
Isabel: I’d do it anyway. It’s a present, Rox, not a payment or a bribe.
Roxy: Then I suppose you can accept it.
Female Filmmaker Friday: A League of Their Own, 1992 (dir. Penny Marshall)
I can’t even remember the first time I saw this film, but I know I was very young. I’m not a big baseball fan. I never have been. But I love this film. I love what it represents and I love this history that is showcases. I love the characters and I love the costume design and I love the story and basically, I just love this movie.
























